The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?)

• Published in: Identities Vol. 1; no. 1
• Main Authors: Mirushe Hodja, Saše Tasev
• Format: Journal Article
• Language: German
• Published: Institute of Social Sciences and Humanities - Skopje 01-01-2001
• Subjects: theater; universality
• ISSN: 1409-9268; 1857-8616

Author(s): Mirushe Hodja | Мируше Хоџа Title (English): The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?) Title (Macedonian): Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?) Translated by (English to Macedonian): Saše Tasev | Саше Тасев Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001) Publisher: Research Center in Gender Studies - Skopje and Euro-Balkan Institute Page Range: 137-143 Page Count: 7 Citation (English): Mirushe Hodja, “The Path, Cyclicity and the Theatre (Or: On What Ground Do We Define the Term Universality, in the Context of the Theatre?),” Identities: Journal for Politics, Gender and Culture, Vol. 1, No. 1 (Summer 2001): 137-143. Citation (Macedonian): Мируше Хоџа, „Патот, цикличноста и театарот (или: Врз кој темел го дефинираме поимот на универзалноста во контекстот на театарот?)“, Идентитети: списание за политика, род и култура, т. 1, бр. 1 (лето 2001): 137-143.