Vocal Resonances and Sound Memory in Helen Brown

The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analy...

Full description

Saved in:

Bibliographic Details
Published in:	Revista Brasileira de Estudos da Presença Vol. 6; no. 3
Main Author:	Andrés Grumann Sölter (Pontificia Universidad Católica de Chile – Santiago, Chile)
Format:	Journal Article
Language:	English
Published:	Universidade Federal do Rio Grande do Sul 01-08-2016
Subjects:	Helen Brown Memory Performance Analysis Sound Voices
Online Access:	Get full text
Tags:	Add Tag No Tags, Be the first to tag this record!

Description
Summary:	The paper focuses on aspects related to the intensification of the uses of the voice and the musical sonority proposed by Trinidad Piriz and Daniel Marabolí on Helen Brown (2013). Rendering an account of a theoretical framework that questions the referential dimension in which theatre is often analyzed and proposing a phenomenological approach that accounts for the performative materiality encouraged to strengthen the resonance of the voice and the audibility of the sound, the essay analyzes two scenes or tracks in which the body undertakes the memory of the viewers involved in the scenic performance.
ISSN:	2237-2660