APPROPRIATION, HOMAGE, AND PASTICHE: Using Artistic Tradition to Reconsider and Redefine Plagiarism

APPROPRIATION, HOMAGE, AND PASTICHE Using Artistic Tradition to Reconsider and Redefine Plagiarism

Artists who work in visual media have always built on a tradition of appropriation: painters can speak of impressionists because of common techniques or materials; interior designers can produce French country because they use particular furniture, objects, and patterned fabrics in the room; designe...

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Bibliographic Details
Published in:Who Owns This Text? p. 105
Main Author: Joan A. Mullin
Format: Book Chapter
Language:English
Published: United States Utah State University Press 15-12-2008
University Press of Colorado
Subjects:
Applied arts
Applied sciences
Appropriated art
Art exhibitions
Art genres and movements
Art history
Art photography
Art theory
Arts
Arts participation
Commercial art
Communications
Communications media
Criminal law
Criminal offenses
Decorative arts
Design
Fraud
Illustration
Imaging
Interior design
Law
Mimesis
Modernist art
Pastiche
Photography
Plagiarism
Social sciences
Visual arts
Visual materials
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Summary:Artists who work in visual media have always built on a tradition of appropriation: painters can speak of impressionists because of common techniques or materials; interior designers can produce French country because they use particular furniture, objects, and patterned fabrics in the room; designers return from a fashion week in Milan ready to mass produce the latest trend; and architects after Frank Lloyd Wright have used cantilevered roofs. Taking such license with visual techniques is understood as artistic tradition and considered by designers and artists as legal appropriation. Besides, “if a design or object too closely resembles another’s work, an
ISBN:9780874217285
0874217288
DOI:10.2307/j.ctt4cgn56.7