Information modelling actions from a survey of the Neronian era

• Published in: Disegnare con Vol. 14; no. 27; pp. 1 - 2
• Main Authors: Adriana Rossi, Santiago Lillo Giner, Sara Gonizzi Barsanti
• Format: Journal Article
• Language: English
• Published: University of L'Aquila 01-12-2021
• Subjects: cultural heritage, virtual reconstruction, workflow, data sharing environment, multi-objective platforms
• ISSN: 1828-5961
• DOI: 10.20365/disegnarecon.27.2021.2

Redesigning the ichonographiae carved in the marble table kept at the Archaeological Museum of the Umbrian capital, has a double meaning: (1) to collect what has been examined by experts of Roman topography on a cartographic practice already recurrent at the death of Augustus, (2) observe with a renewed spirit a document of fundamental interest for the history of survey and architectural drawing. There are in fact three horizontal sections meticulously quoted in Roman “feet”: the ground floor of a funerary monument with an outdoor triclino (scale 1:84), the plan of a vegetable garden serving the rustic villa (scale 1: 140) inhabited on the upper level by the caretaker (1: 230).Proceeding from the mathematical analysis to the planimetric vectorization of the monumental complex, the contribution illustrates the reasons and the path that informed the 3D reconstruction. In compliance with a digital practice shared by the scientific communities; the unprecedented interpretation represented an opportunity to explore its potential uses in terms of a renewed communication paradigm.The objective in progress is aimed at raising a frame of meanings around the memory of Imperial civilization, to guide strategies that do not fail to fall on the policies of protection and enhancement of the property studied. The immersive use of models and adequate spaces for collaboration, which have become collectors of information, thanks and by virtue of dedicated servers, lead to the generalization of issues, which, by affecting a wider audience of users, encourage socio-economic programs as well as cultural technicians.DOI: https://doi.org/10.20365/disegnarecon.27.2021.2