Relation Between Surface Rhythm and Rhythmic Modes in Turkish Makam Music
Sounds in a piece of music form rhythmic patterns on the surface of a music signal, and in a metered piece these patterns stand in some relation to the underlying rhythmic mode or meter. In this paper, we investigate how the surface rhythm is related to the usul, which are the rhythmic modes in comp...
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Published in: | Journal of new music research Vol. 44; no. 1; pp. 25 - 38 |
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Main Author: | |
Format: | Journal Article |
Language: | English |
Published: |
Abingdon
Routledge
02-01-2015
Taylor & Francis Ltd |
Subjects: | |
Online Access: | Get full text |
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Summary: | Sounds in a piece of music form rhythmic patterns on the surface of a music signal, and in a metered piece these patterns stand in some relation to the underlying rhythmic mode or meter. In this paper, we investigate how the surface rhythm is related to the usul, which are the rhythmic modes in compositions of Turkish makam music. On a large corpus of notations of vocal pieces in short usul we observe the ways notes are distributed in relation to the usul. We observe differences in these distributions between Turkish makam and Eurogenetic music, which imply a less accentuated stratification of meter in Turkish makam music. We observe changes in rhythmic style between two composers who represent two different historical periods in Turkish makam music, a result that adds to previous observations on changes in style of Turkish makam music throughout the centuries. We demonstrate that rhythmic aspects in Turkish makam music can be considered as the outcome of a generative model, and conduct style comparisons in a Bayesian statistical framework. |
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ISSN: | 0929-8215 1744-5027 1744-5027 |
DOI: | 10.1080/09298215.2014.939661 |