Heritage as War

• Published in: International journal of Middle East studies Vol. 49; no. 4; pp. 729 - 734
• Main Author: Bsheer, Rosie
• Format: Journal Article
• Language: English
• Published: New York, USA Cambridge University Press 01-11-2017
• Subjects: Archives & records; Containment; Creativity; Cultural heritage; Cultural Heritage in Crisis; Destruction; Hussein, Saddam; Injuries; Interpersonal relations; Looting; Narratives; Networks; Peace; Political power; Politics; Power; Projections; Roundtable; Social relations; Spectacles; State; Violence; War; Middle East; Saudi Arabia; Baghdad Iraq; New York; Iraq; United States > US
• ISSN: 0020-7438; 1471-6380
• DOI: 10.1017/S002074381700068X

The construction of heritage can be a violent process. Authorizing state-sanctioned narratives and the spaces that materialize them are belligerent acts. Crafting and territorializing a singular history out of many entangled ones necessarily relies on the destruction, containment, and/or silencing of the evidentiary terrain—of people, places, and things. In this sense, the construction of the past—to play on Carl von Clausewitz's well-known maxim—is the continuation of war by other means. As networks of knowledge production and transmission, “lieux de mémoire” are everyday sites of violence that embody ongoing social relations and the attendant struggles over power. In times of peace as in war, they are terrains of symbolic and material contestation whose creative destruction can be deployed as political spectacles and projections of power. Examples of such dynamics abound, whether in the Standing Rock Sioux reservation in North America or Palmyra, Baghdad, and Mecca in the Middle East. In its varied forms, then, heritage is as much a cause for celebration for some as it is a cause of injury for others. Heritage reflects the power to subjugate the past to the politics of the present and to dictate the future, both of which are intrinsic to state and subject formation.