Male and female red-cheeked cordon bleus sing similar yet individualistic songs

• Published in: The Journal of the Acoustical Society of America Vol. 155; no. 3; pp. 1909 - 1915
• Main Authors: Rose, Evangeline M., Scofield, Avery J., Wenstrom, Autumn M., Stennette, Katherine A., Shank, Benjamin D, Ball, Gregory F
• Format: Journal Article
• Language: English
• Published: United States 01-03-2024
• ISSN: 0001-4966; 1520-8524; 1520-8524
• DOI: 10.1121/10.0025236

Birdsong is an excellent system for studying complex vocal signaling in both males and females. Historically, most research in captivity has focused only on male song. This has left a gap in our understanding of the environmental, neuroendocrine, and mechanistic control of female song. Here, we report the overall acoustic features, repertoire, and stereotypy of both male and female Red-Cheeked Cordon Bleus (Uraeginthus bengalus) (RCCBs) songs in the lab. We found few sex differences in the acoustic structure, song repertoire, and song stereotypy of RCCBs. Both sexes had similar song entropy, peak frequency, and duration. Additionally, individuals of both sexes sang only a single song type each and had similar levels of song and syllable stereotypy. However, we did find that female RCCBs had higher song bandwidth but lower syllable repertoires. Finally, and most strikingly, we found highly individualistic songs in RCCBs. Each individual produced a stereotyped and unique song with no birds sharing song types and very few syllable types being shared between birds of either sex. We propose that RCCBs represent a promising species for future investigations of the acoustic sex differences in song in a lab environment, and also for understanding the evolutionary driving forces behind individualistic songs.