Spectroscopic study of an icon painted on wooden panel

Russian icon painted on wooden panel analyzed in this work is interesting for art historians because there is no precise information in which workshops it was made or who the author was. Similar icons are often found in churches and monasteries in our region. In order to obtain information about mat...

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Bibliographic Details
Published in:Hemijska industrija Vol. 69; no. 4; pp. 387 - 393
Main Authors: Stojanović Sofija R., Gajić-Kvaščev Maja D., Damjanović Ljiljana S.
Format: Journal Article
Language:English
Published: Association of Chemical Engineers of Serbia 01-01-2015
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Summary:Russian icon painted on wooden panel analyzed in this work is interesting for art historians because there is no precise information in which workshops it was made or who the author was. Similar icons are often found in churches and monasteries in our region. In order to obtain information about materials used for creation of investigated icon two micro-analytical techniques were used: Energy-Dispersive X-Ray Fluorescence spectroscopy (EDXRF) and micro-Raman spectroscopy. Obtained results confirmed presence of following materials: lead-white, vermilion, minium, ultramarine, brown and green earth pigments and silver in combination with yellow organic varnish, which served to an iconographer for gilding. Ground layer was made of calcite. Blue pigment ultramarine was probably used for blue colour as well as for obtaining particulars hues in several parts of the paint layer. This can be important information for further research concerning particular workshop in which the icon was made. Identified materials are typical for Russian iconography of the 19th century. [Projekat Ministarstva nauke Republike Srbije, br. OI 177021 i OI 177012]
ISSN:0367-598X
2217-7426
DOI:10.2298/HEMIND140430053S