Characterisation of the Degree of Musical Non-Markovianity

As an aid for musical analysis, in computational musicology mathematical andinformatics tools have been developed to characterise quantitatively some aspectsof musical compositions. A musical composition can be attributed by ear a certainamount of memory. These results are associated with repetition...

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Bibliographic Details
Published in:Journal of creative music systems Vol. 6; no. 1
Main Authors: Mannone, Maria, Compagno, Giuseppe
Format: Journal Article
Language:English
Published: University of Huddersfield Press 12-11-2022
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Summary:As an aid for musical analysis, in computational musicology mathematical andinformatics tools have been developed to characterise quantitatively some aspectsof musical compositions. A musical composition can be attributed by ear a certainamount of memory. These results are associated with repetitions and similarities ofthe patterns in musical scores. To higher variations, a lower amount of memory isperceived. However, the musical memory of a score has never been quantitativelydefined. Here we aim to give such a measure following an approach similar tothat used in physics to quantify the memory (non-Markovianity) of open quantumsystems. We apply this measure to some existing musical compositions, showingthat the results obtained via this quantifier agree with what one expects by ear.The musical non-Markovianity quantifier can thus be used as a new tool that canaid quantitative musical analysis. It can also lead to future quantum computingcontrollers to manipulate structures in the framework of generative music.
ISSN:2399-7656
2399-7656
DOI:10.5920/jcms.975