He Was the Very Model of a Modern Musicologist
From his first and most famous book-Emotion and Meaning in Music (1956)-to his last-The Spheres of Music (2000)- Meyer broke ground on subjects that other musicologists feared, disdained, or simply ignored, including melodic structure, implication and realization, closure, rhythm and meter, the evol...
Saved in:
Published in: | Music perception Vol. 25; no. 5; pp. 488 - 489 |
---|---|
Main Author: | |
Format: | Journal Article |
Language: | English |
Published: |
Berkeley
University of California Press
01-06-2008
University of California Press Books Division |
Subjects: | |
Online Access: | Get full text |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Summary: | From his first and most famous book-Emotion and Meaning in Music (1956)-to his last-The Spheres of Music (2000)- Meyer broke ground on subjects that other musicologists feared, disdained, or simply ignored, including melodic structure, implication and realization, closure, rhythm and meter, the evolution of style, the influence of culture and ideology on musical experience, and defining the musical parameters. |
---|---|
ISSN: | 0730-7829 1533-8312 |
DOI: | 10.1525/mp.2008.25.5.488 |