Zur Inszenierung des Rechts in der Malerei des späten 19. Jahrhunderts. Treppen als Schauplätze geschlechtsspezifischer Verherrlichung und Verurteilung

The article begins by analysing two paintings by Francesco Hayez and Jean-Léon Gérôme, which pursue a national political interest and show women in a supporting role only. In paintings addressing socio-political themes, however, the depiction of women was much more differentiated. Particular attenti...

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Bibliographic Details

Published in:	Rechtsgeschichte : Rg : Zeitschrift des Max-Planck-Instituts für Europäische Rechtsgeschichte no. 32
Main Author:	Erk Volkmar Heyen
Format:	Journal Article
Language:	German
Published:	Max Planck Institute for Legal History and Legal Theory 01-09-2024
Subjects:	Gérôme Segantini stairs status of women Visualization of law
Online Access:	Get full text
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