La monarquía hispánica en la era del Espíritu Santo: el atrio de Valadés

The author of this article analyse the influence of the work of the Millenarian Joaquin Da Fiore, Ramon Llull and Arias Montano on the composition of Christian Rhetoric by Diego Valadés. From the first of these writers, the author takes the notion of the era of the Holy Spirit; from the second, the...

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Bibliographic Details
Published in:Hipogrifo (New York, NY) Vol. 5; no. 2; pp. 261 - 282
Main Author: Serés, Guillermo
Format: Journal Article
Language:English
Spanish
Published: Instituto de Estudios Auriseculares (IDEA) 2017
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Summary:The author of this article analyse the influence of the work of the Millenarian Joaquin Da Fiore, Ramon Llull and Arias Montano on the composition of Christian Rhetoric by Diego Valadés. From the first of these writers, the author takes the notion of the era of the Holy Spirit; from the second, the concept of the Earthly City, for conquering the Indians; from the third, an idea for an engraving of significance in Valadés’ book, namely, the convent atrium. Additionally, he also take into account the idea of restitutio and reductio ad unum, with which both the mission of his Franciscan order and that of the Spanish monarchy are justified. El autor del artículo analiza la influencia de la obra del milenarista Joaquín Da Fiore, Ramón Llull y Arias Montano en la redacción de la Retórica cristiana, de Diego Valadés. Del primero toma la noción de era del Espíritu Santo; del segundo, el concepto de ciudad terrena, para las reducciones de los indios; del tercero, una idea para un importante grabado del libro: el atrio del convento. Además, tiene en cuenta la idea de restitutio y de reductio ad unum, con las que justifica la misión de su orden, la franciscana, y la de la monarquía hispánica.
ISSN:2328-1308
2328-1308
DOI:10.13035/H.2017.05.02.16