Empathy and enfranchisement: Popular histories
This article considers the media phenomenon of 'history' over the past decade. In particular I am interested in the complex types of historical engagement available, and what these various models of 'experience' suggest for consumption and understanding of the past. Analysing re-...
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Published in: | Rethinking history Vol. 10; no. 3; pp. 391 - 413 |
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Format: | Journal Article |
Language: | English |
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Routledge
01-09-2006
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Abstract | This article considers the media phenomenon of 'history' over the past decade. In particular I am interested in the complex types of historical engagement available, and what these various models of 'experience' suggest for consumption and understanding of the past. Analysing re-enactment, 'reality' history TV and first-person shooter (FPS) computer games, I suggest that engagement with the discourse of 'history' in popular culture is a complicated and problematic issue. I further suggest that these models offer the professional academic historian a number of interesting methodological and epistemological paradigms. All three of the media I consider refuse to fit into specific, disciplined or institutionalised order. Their dynamism and levels of complexity are crucial to their consumption. Analysis of history-as-experience illustrates that it is a set of narratives divorced from an institutionalised framework, used in different and dissident ways by a variety of social groups. These uses interact with the notion of 'history' as an academic pursuit but also create a space between ontological and intellectual approaches to the past. On the one hand increased access and interrogation of historical narratives suggests an enfranchising of the population into history; on the other the factuality of history organises and disciplines. |
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AbstractList | This article considers the media phenomenon of 'history' over the past decade. In particular I am interested in the complex types of historical engagement available, and what these various models of 'experience' suggest for consumption and understanding of the past. Analysing re-enactment, 'reality' history TV and first-person shooter (FPS) computer games, I suggest that engagement with the discourse of 'history' in popular culture is a complicated and problematic issue. I further suggest that these models offer the professional academic historian a number of interesting methodological and epistemological paradigms. All three of the media I consider refuse to fit into specific, disciplined or institutionalised order. Their dynamism and levels of complexity are crucial to their consumption. Analysis of history-as-experience illustrates that it is a set of narratives divorced from an institutionalised framework, used in different and dissident ways by a variety of social groups. These uses interact with the notion of 'history' as an academic pursuit but also create a space between ontological and intellectual approaches to the past. On the one hand increased access and interrogation of historical narratives suggests an enfranchising of the population into history; on the other the factuality of history organises and disciplines. This article considers the media phenomenon of 'history' over the past decade. In particular I am interested in the complex types of historical engagement available, and what these various models of 'experience' suggest for consumption and understanding of the past. Analysing re-enactment, 'reality' history TV and first-person shooter (FPS) computer games, I suggest that engagement with the discourse of 'history' in popular culture is a complicated and problematic issue. I further suggest that these models offer the professional academic historian a number of interesting methodological and epistemological paradigms. All three of the media I consider refuse to fit into specific, disciplined or institutionalised order. Their dynamism and levels of complexity are crucial to their consumption. Analysis of history-as-experience illustrates that it is a set of narratives divorced from an institutionalised framework, used in different and dissident ways by a variety of social groups. These uses interact with the notion of 'history' as an academic pursuit but also create a space between ontological and intellectual approaches to the past. On the one hand increased access and interrogation of historical narratives suggests an enfranchising of the population into history; on the other the factuality of history organises and disciplines. (Author abstract) |
Author | de Groot, Jerome |
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Cites_doi | 10.1093/hwj/56.1.153 10.1093/hwj/56.1.175 10.4324/9780203426869 |
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References | Lyotard J.- F. (CIT0015) 1979 Galloway A. R. (CIT0011) 2004; 4 Schama S. (CIT0019) 2004 Daddow O. (CIT0007) 2004 Jenkins K. (CIT0013) 2003 CIT0025 Hunt T. (CIT0012) 2004 (CIT0009) 2003 Jordanova L. (CIT0014) 2000 CIT0018 CIT0006 Evans R. J. (CIT0010) 2002 |
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SubjectTerms | Computer Games History and Experience History in the Media History on Television Postmodernity Re-enactment |
Title | Empathy and enfranchisement: Popular histories |
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