Metalogue and Autoconstrucción: Two Models for Collaborative Publishing by Busy Practitioners

The purpose of this article is to address a problematic subject that emerged from a question presented by an art teacher on the Facebook group "Art Teachers." The article, presented as a "metalogue," encourages a conversation about who is publishing and who can publish in "A...

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Published in:Art education (Reston) Vol. 69; no. 5; pp. 32 - 39
Main Authors: Lucero, Jorge, Nichols, Anna, Stienecker, Dawn, Nisbett, Janet E., Lewis, Lillian, Hyatt, Joana, McCarthy, Kristen, Darter, Lee Tyler, Kieling, Linda White, Green, Jessica, Peters, Deborah S., Brooks, Robin E., Brooks, Stephanie, Juarez, Frank, Jacobs, Sue Ellen, Reeder, Laura K., Rolling, James Haywood
Format: Journal Article
Language:English
Published: Reston Routledge 01-09-2016
National Art Education Association
Taylor & Francis Ltd
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Abstract The purpose of this article is to address a problematic subject that emerged from a question presented by an art teacher on the Facebook group "Art Teachers." The article, presented as a "metalogue," encourages a conversation about who is publishing and who can publish in "Art Education." In response to the problematic subject of "who" publishes, the authors propose that anyone with expertise to share, especially classroom teachers, can share that expertise. At the same time, they stipulate that the reasons busy teachers may not be submitting articles for publication in "Art Education" has little to do with a lack of content to publish, but rather, it has to do with strongly held--and sometimes conflicting--understandings about "how" and "what" articles are "supposed" to be submitted for review to the journal. As informed by the art of the metalogue--where the form of the conversation is also relevant to the subject--this article has two separate but equal parts to it. They run concurrently alongside one another. Readers can then choose to read them in relation to each other, or one after the other. The two parts are labeled A and B. Part A is an abridged version of a Facebook group conversation thread that was initiated by Anna Nichols and Part B is a personal narrative of how the Facebook thread initiated by Nichols generated this idea for a collaborative article organized by Jorge Lucero. The pairing of these two types of writing under the form of the "metalogue" is offered as a type of solution to the "how" question of art teacher publishing.
AbstractList Part A is an abridged1 version of a Facebook group conversation thread that was initiated by Anna Nichols and contributed to by a variety of art educators (i.e., early childhood to higher education, including active and retired art teachers, graduate students, and professors). In other words, this article as an example of autoconstrucción-which can be defined as a means of making that foregrounds the passage of time and the accumulation of parts (see part B)-a process that suggests the possibility of art teacher collectives forming to make contributions to our field's literature base through a joint effort that pays particular attention to the "things" we are already doing.
The purpose of this article is to address a problematic subject that emerged from a question presented by an art teacher on the Facebook group "Art Teachers." The article, presented as a "metalogue," encourages a conversation about who is publishing and who can publish in "Art Education." In response to the problematic subject of "who" publishes, the authors propose that anyone with expertise to share, especially classroom teachers, can share that expertise. At the same time, they stipulate that the reasons busy teachers may not be submitting articles for publication in "Art Education" has little to do with a lack of content to publish, but rather, it has to do with strongly held--and sometimes conflicting--understandings about "how" and "what" articles are "supposed" to be submitted for review to the journal. As informed by the art of the metalogue--where the form of the conversation is also relevant to the subject--this article has two separate but equal parts to it. They run concurrently alongside one another. Readers can then choose to read them in relation to each other, or one after the other. The two parts are labeled A and B. Part A is an abridged version of a Facebook group conversation thread that was initiated by Anna Nichols and Part B is a personal narrative of how the Facebook thread initiated by Nichols generated this idea for a collaborative article organized by Jorge Lucero. The pairing of these two types of writing under the form of the "metalogue" is offered as a type of solution to the "how" question of art teacher publishing.
Author Lewis, Lillian
Green, Jessica
Reeder, Laura K.
Hyatt, Joana
Nisbett, Janet E.
Kieling, Linda White
Rolling, James Haywood
Peters, Deborah S.
Darter, Lee Tyler
Nichols, Anna
Juarez, Frank
Brooks, Robin E.
Brooks, Stephanie
Jacobs, Sue Ellen
Stienecker, Dawn
Lucero, Jorge
McCarthy, Kristen
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  organization: Massachusetts College of Art
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  surname: Rolling
  fullname: Rolling, James Haywood
  organization: Syracuse University
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Snippet The purpose of this article is to address a problematic subject that emerged from a question presented by an art teacher on the Facebook group "Art Teachers."...
Part A is an abridged1 version of a Facebook group conversation thread that was initiated by Anna Nichols and contributed to by a variety of art educators...
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SubjectTerms Art Education
Art Teachers
Artists
Collaboration
Collaborative Writing
Periodicals
Writing for Publication
Title Metalogue and Autoconstrucción: Two Models for Collaborative Publishing by Busy Practitioners
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