Get Comfortable With Uncertainty A Study of the Conventional Values of Literary Analysis in an Undergraduate Literature Course

This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism, describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, a...

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Published in:Written communication Vol. 19; no. 1; pp. 175 - 221
Main Author: Wilder, Laura
Format: Journal Article
Language:English
Published: Thousand Oaks, CA Sage Publications 01-01-2002
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Abstract This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism, describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, and paradox) that characterize the warrants of literary criticism appearing in a sample of major literary studies journals. This study triangulates ethnographic data of a class's meetings, analyses of students' essays, and questionnaires to discover whether these topoi are communicated to students in a survey course, whether students recognize and use them, and whether students are rewarded for using them. The special topoi of literary criticism appear in the discourse of instructors and students. Though textual analysis did not reveal a connection between using the special topoi in writing assignments and receiving a higher grade, questionnaires revealed that students adept at recognizing literary values and discourse conventions were more successful.
AbstractList This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism, describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, and paradox) that characterize the warrants of literary criticism appearing in a sample of major literary studies journals. This study triangulates ethnographic data of a class's meetings, analyses of students' essays, and questionnaires to discover whether these topoi are communicated to students in a survey course, whether students recognize and use them, and whether students are rewarded for using them. The special topoi of literary criticism appear in the discourse of instructors and students. Though textual analysis did not reveal a connection between using the special topoi in writing assignments and receiving a higher grade, questionnaires revealed that students adept at recognizing literary values and discourse conventions were more successful.
This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, and paradox) that characterize the warrants of literary criticism appearing in a sample of major literary studies journals. This study triangulates ethnographic data of a class's meetings, analyses of students' essays, and questionnaires to discover whether these topoi are communicated to students in a survey course, whether students recognize and use them, and whether they are rewarded for using them. The special topoi of literary criticism appear in the discourse of instructors and students. Though textual analysis did not reveal a connection between using the special topoi in writing assignments and receiving a higher grade, questionnaires revealed that students adept at recognizing literary values and discourse conventions were more successful.
This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism, describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, and paradox) that characterize the warrants of literary criticism appearing in a sample of major literary studies journals.
Audience Higher Education
Author Wilder, Laura
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  organization: University of Texas at Austin
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Snippet This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The...
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SubjectTerms Analysis
College Students
Community Relations
Critical Reading
Discourse Communities
Educational Practices
Essays
Ethnography
Grades (Scholastic)
Introductory Courses
Literacy Education
Literary Criticism
Literature Appreciation
Questionnaires
Reading Instruction
Research Methodology
Resistance (Psychology)
Rhetoric
Student Attitudes
Teaching Methods
Undergraduate Study
Writing Assignments
Writing Instruction
Subtitle A Study of the Conventional Values of Literary Analysis in an Undergraduate Literature Course
Title Get Comfortable With Uncertainty
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