Scenes of Hell and Damnation in Dunhuang Murals

• Published in: Arts asiatiques (Paris) Vol. 74; pp. 5 - 30
• Main Author: Moretti, Costantino
• Format: Journal Article
• Language: English
• Published: École française d'Extrême-Orient 2019; Paris : École française d'Extrême-Orient; PERSÉE : Université de Lyon, CNRS & ENS de Lyon
• Subjects: Art and art history; bouddhisme; Buddhism; Chine médiévale; Dunhuang; enfers; hells; Humanities and Social Sciences; medieval China; mural paintings; peintures murales; Religions; 中 古 中 國; 中 国 中 世; 仏 教; 佛 教; 地 獄; 壁 画; 壁 畫; 敦 煌
• ISSN: 0004-3958; 2111-4552
• DOI: 10.3406/arasi.2019.2023

The descriptions of the various hells in Buddhist eschatological and cosmological literature constitute one of the most fascinating speculations on the characteristics of otherworldly realms elaborated by this religious system, which provides extravagant details on sinners’ atonement processes. While a number of important works have focused on the illustrated manuscripts of the Sūtra on the Ten Kings, which portrays the ten judges of Chinese “purgatory,” the visual narrative describing the theme of hell damnation, as seen in Dunhuang murals, has received less attention. Preliminary research has shown that these illustrations can be divided into at least three different categories: hell representations found in scenes illustrating various sūtras; damnation scenes in cosmological charts; and mural paintings of Dizang/Kṣitigarbha showing bureaucratised representations of the underworld featuring the Ten Kings “system.” This paper sets out the major characteristics of the visual vocabulary of hell repre