Experiencing Flow While Viewing Art: Development of the Aesthetic Experience Questionnaire

Aesthetic experiences are the attitudes, perceptions, or acts of attention involved with viewing art. When the viewer is fully engaged, aesthetic experiences are comparable with flow experiences, which are optimal experiences described by people as "being in the zone" or "getting lost...

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Published in:Psychology of aesthetics, creativity, and the arts Vol. 14; no. 1; pp. 113 - 124
Main Authors: Wanzer, Dana Linnell, Finley, Kelsey Procter, Zarian, Steven, Cortez, Noreen
Format: Journal Article
Language:English
Published: Washington Educational Publishing Foundation 01-02-2020
American Psychological Association
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Abstract Aesthetic experiences are the attitudes, perceptions, or acts of attention involved with viewing art. When the viewer is fully engaged, aesthetic experiences are comparable with flow experiences, which are optimal experiences described by people as "being in the zone" or "getting lost" in the moment. This study uses the framework of aesthetic experiences by Csikszentmihalyi and Robinson (1990), which conceptualizes aesthetic experiences as having 4 art-related dimensions and a fifth flow dimension. Using this conceptualization, we created the Aesthetic Experience Questionnaire (AEQ) and tested its validity in a general population of Amazon Mechanical Turk users. Results demonstrated that the AEQ consists of 4 artistically related dimensions (i.e., perceptual, emotional, cultural, understanding) and 2 flow dimensions (i.e., proximal conditions, experience). The AEQ demonstrated convergent validity with related constructs (i.e., openness to experience, inspiration, curiosity and exploration), and individuals with greater artistic experience had more intense ratings of aesthetic experiences. Overall, this study lends support to Csikszentmihalyi and Robinson's framework of aesthetic experiences and provides a useful measure of aesthetic experiences for future studies.
AbstractList Aesthetic experiences are the attitudes, perceptions, or acts of attention involved with viewing art. When the viewer is fully engaged, aesthetic experiences are comparable with flow experiences, which are optimal experiences described by people as “being in the zone” or “getting lost” in the moment. This study uses the framework of aesthetic experiences by Csikszentmihalyi and Robinson (1990), which conceptualizes aesthetic experiences as having 4 art-related dimensions and a fifth flow dimension. Using this conceptualization, we created the Aesthetic Experience Questionnaire (AEQ) and tested its validity in a general population of Amazon Mechanical Turk users. Results demonstrated that the AEQ consists of 4 artistically related dimensions (i.e., perceptual, emotional, cultural, understanding) and 2 flow dimensions (i.e., proximal conditions, experience). The AEQ demonstrated convergent validity with related constructs (i.e., openness to experience, inspiration, curiosity and exploration), and individuals with greater artistic experience had more intense ratings of aesthetic experiences. Overall, this study lends support to Csikszentmihalyi and Robinson’s framework of aesthetic experiences and provides a useful measure of aesthetic experiences for future studies. (PsycINFO Database Record (c) 2020 APA, all rights reserved) (Source: journal abstract)
Aesthetic experiences are the attitudes, perceptions, or acts of attention involved with viewing art. When the viewer is fully engaged, aesthetic experiences are comparable with flow experiences, which are optimal experiences described by people as "being in the zone" or "getting lost" in the moment. This study uses the framework of aesthetic experiences by Csikszentmihalyi and Robinson (1990), which conceptualizes aesthetic experiences as having 4 art-related dimensions and a fifth flow dimension. Using this conceptualization, we created the Aesthetic Experience Questionnaire (AEQ) and tested its validity in a general population of Amazon Mechanical Turk users. Results demonstrated that the AEQ consists of 4 artistically related dimensions (i.e., perceptual, emotional, cultural, understanding) and 2 flow dimensions (i.e., proximal conditions, experience). The AEQ demonstrated convergent validity with related constructs (i.e., openness to experience, inspiration, curiosity and exploration), and individuals with greater artistic experience had more intense ratings of aesthetic experiences. Overall, this study lends support to Csikszentmihalyi and Robinson's framework of aesthetic experiences and provides a useful measure of aesthetic experiences for future studies.
Author Zarian, Steven
Cortez, Noreen
Wanzer, Dana Linnell
Finley, Kelsey Procter
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  givenname: Kelsey Procter
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Discipline Psychology
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Visual Arts
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Vartanian, Oshin
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aesthetic experience
flow
scale development
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Snippet Aesthetic experiences are the attitudes, perceptions, or acts of attention involved with viewing art. When the viewer is fully engaged, aesthetic experiences...
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StartPage 113
SubjectTerms Aesthetics
Attitude Measures
Cognition & reasoning
Experiences (Events)
Female
Flow (Consciousness State)
Human
Male
Personal experiences
Questionnaires
Test Construction
Test Validity
Visual arts
Title Experiencing Flow While Viewing Art: Development of the Aesthetic Experience Questionnaire
URI http://psycnet.apa.org/journals/aca/14/1/113
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