Search Results - "Wooldridge, Luke"

Clay‐coat diversity in marginal marine sediments by Wooldridge, Luke J., Worden, Richard H., Griffiths, Joshua, Utley, James E. P., Sheldon, Nathan

“…The specific mineralogy of clay grain coats controls the ability of the coat to inhibit quartz cementation in sandstones during prolonged burial and heating…”
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Clay-coated sand grains in petroleum reservoirs; understanding their distribution via a modern analogue by Wooldridge, Luke J, Worden, Richard H, Griffiths, Joshua, Utley, James E. P

“…Clay-coated grains can inhibit ubiquitous, porosity-occluding quartz cement in deeply buried sandstones and thus lead to anomalously high porosity. A moderate…”
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Estuarine clay mineral distribution: Modern analogue for ancient sandstone reservoir quality prediction by Griffiths, Joshua, Worden, Richard H., Wooldridge, Luke J., Utley, James E. P., Duller, Robert A., Edge, Rhiannon L., Howell, John

“…The spatial distribution of clay minerals in sandstones, which may both enhance or degrade reservoir quality, is poorly understood. To address this, clay…”
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Compositional variation in modern estuarine sands; predicting major controls on sandstone reservoir quality by Griffiths, Joshua, Worden, Richard H, Wooldridge, Luke J, Utley, James E. P, Duller, Robert A

“…Primary depositional mineralogy has a major impact on sandstone reservoir quality. The spatial distribution of primary depositional mineralogy in sandstones is…”
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Detrital clay coats, clay minerals, and pyrite; a modern shallow-core analogue for ancient and deeply buried estuarine sandstones by Griffiths, Joshua, Worden, Richard H, Wooldridge, Luke J, Utley, James E. P, Duller, Robert A

“…The spatial distribution of clay minerals and authigenic-clay-coated sand grains in ancient and deeply buried petroleum reservoirs, which can enhance or…”
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How to quantify clay-coat grain coverage in modern and ancient sediments by Wooldridge, Luke J, Worden, Richard H, Griffiths, Joshua, Utley, James E. P

“…A major limiting factor in efforts to develop a predictive capability for the distribution of clay-coat-derived positive reservoir quality anomalies, in…”
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Geochemistry of Sub-Depositional Environments in Estuarine Sediments: Development of an Approach to Predict Palaeo-Environments from Holocene Cores by Muhammed, Dahiru D., Simon, Naboth, Utley, James E. P., Verhagen, Iris T. E., Duller, Robert A., Griffiths, Joshua, Wooldridge, Luke J., Worden, Richard H.

“…In the quest to use modern analogues to understand clay mineral distribution patterns to better predict clay mineral occurrence in ancient and deeply buried…”
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The origin of clay-coated sand grains and sediment heterogeneity in tidal flats by Wooldridge, Luke J., Worden, Richard H., Griffiths, Joshua, Utley, James E.P., Thompson, Anu

“…The presence and distribution of clay minerals attached to grain surfaces as coats (also known as rims) are of great interest because they affect petroleum…”
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Stratigraphy and sedimentary evolution of a modern macro‐tidal incised valley: An analogue for reservoir facies and architecture by McGhee, Claire, Muhammed, Dahiru, Simon, Naboth, Acikalin, Sanem, Utley, James E. P., Griffiths, Joshua, Wooldridge, Luke, Verhagen, Iris T. E., Land, Cees, Worden, Richard H., Valdez, Victoria

“…Incised valley fills are complex as they correspond to multiple sea‐level cycles which makes interpretation and correlation of stratigraphic surfaces fraught…”
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Understanding the Processes Governing the Origin of Clay Coated Sand Grains and Sediment Heterogeneity in Petroleum Reservoirs: Insights from a Modern Marginal Marine System by Wooldridge, Luke J

“…The main cause of porosity-and permeability-loss in sandstone reservoirs undergoing diagenetic cementation during prolonged burial and heating is the growth of…”
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A Frequency-Based Characterization of Spiccato Bowing in Violin Performance by Shan, Gongbing, Visentin, Peter, Wooldridge, Luke, Wang, Changdong, Connolly, Dennis

“…Performance of instrumental music requires high precision and the automisation of motor control to free the performer to focus on the artistic outcome. To…”
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