Search Results - "Wijntjes, Maarten W. A."

Materials In Paintings (MIP): An interdisciplinary dataset for perception, art history, and computer vision by Van Zuijlen, Mitchell J. P, Lin, Hubert, Bala, Kavita, Pont, Sylvia C, Wijntjes, Maarten W. A

“…In this paper, we capture and explore the painterly depictions of materials to enable the study of depiction and perception of materials through the artists’…”
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Material perception across different media—comparing perceived attributes in oil paintings and engravings by Zhao, Yuguang, Stumpel, Jeroen, de Ridder, Huib, Wijntjes, Maarten W. A.

“…We investigated the influence of the medium on the perception of depicted objects and materials. Oil paintings and their reproductions in engravings were…”
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Haptic perception disambiguates visual perception of 3D shape by Wijntjes, Maarten W. A, Volcic, Robert, Pont, Sylvia C, Koenderink, Jan J, Kappers, Astrid M. L

“…We studied the influence of haptics on visual perception of three-dimensional shape. Observers were shown pictures of an oblate spheroid in two different…”
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Understanding gloss perception through the lens of art: Combining perception, image analysis, and painting recipes of 17th century painted grapes by Di Cicco, Francesca, Wijntjes, Maarten W A, Pont, Sylvia C

“…To understand the key image features that we use to infer the glossiness of materials, we analyzed the pictorial shortcuts used by 17th century painters to…”
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Cross-modal visuo-haptic mental rotation: comparing objects between senses by Volcic, Robert, Wijntjes, Maarten W. A, Kool, Erik C, Kappers, Astrid M. L

“…The simple experience of a coherent percept while looking and touching an object conceals an intriguing issue: different senses encode and compare information…”
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Context mitigates crowding: Peripheral object recognition in real-world images by Wijntjes, Maarten W.A., Rosenholtz, Ruth

“…Object recognition is often conceived of as proceeding by segmenting an object from its surround, then integrating its features. In turn, peripheral vision’s…”
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Haptic curvature contrast in raised lines and solid shapes by Wijntjes, Maarten W. A, Kappers, Astrid M. L

“…It is known that our senses are influenced by contrast effects and aftereffects. For haptic perception, the curvature aftereffect has been studied in depth but…”
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Highlight shapes and perception of gloss for real and photographed objects by van Assen, Jan Jaap R, Wijntjes, Maarten W A, Pont, Sylvia C

“…Gloss perception strongly depends on the three-dimensional shape and the illumination of the object under consideration. In this study we investigated the…”
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A new view through Alberti's window by Wijntjes, Maarten W A

“…In his famous treatise on perspective, Alberti compared picture perception with looking through a window. Although Alberti himself was more concerned with…”
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Ways of Viewing Pictorial Plasticity by Wijntjes, Maarten W. A.

“…The plastic effect is historically used to denote various forms of stereopsis. The vivid impression of depth often associated with binocular stereopsis can…”
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Probing pictorial relief: from experimental design to surface reconstruction by Wijntjes, Maarten W. A.

“…The perception of pictorial surfaces has been studied quantitatively for more than 20 years. During this time, the “gauge figure method” has been shown to be a…”
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Peripheral material perception by Keshvari, Shaiyan, Wijntjes, Maarten W A

“…Humans can rapidly identify materials, such as wood or leather, even within a complex visual scene. Given a single image, one can easily identify the…”
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Look what I have felt: Unidentified haptic line drawings are identified after sketching by Wijntjes, Maarten W.A., van Lienen, Thijs, Verstijnen, Ilse M., Kappers, Astrid M.L.

“…The difficulty that observers experience when trying to identify a raised line drawing by touch is still largely unexplained. In this article, we show that…”
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Zooming in on style: Exploring style perception using details of paintings by Zhao, Yuguang, Stumpel, Jeroen, de Ridder, Huib, Wijntjes, Maarten W A

“…Most studies on the perception of style have used whole scenes/entire paintings; in our study, we isolated a single motif (an apple) to reduce or even…”
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Vagueness and volume: Testing the perception of depth in images with linear, sharp, or blurred contours by Stumpel, Jeroen F H J, Volcic, Robert, Wijntjes, Maarten W A

“…In European painting, a transition took place where artists started to consciously introduce blurred or soft contours in their works. There may have been…”
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Visual communication of how fabrics feel by Wijntjes, Maarten W A, Xiao, Bei, Volcic, Robert

“…Although product photos and movies are abundantly present in online shopping environments, little is known about how much of the real product experience they…”
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If painters give you lemons, squeeze the knowledge out of them. A study on the visual perception of the translucent and juicy appearance of citrus fruits in paintings by Di Cicco, Francesca, Wijntjes, Maarten W A, Pont, Sylvia C

“…Citrus fruits are characterized by a juicy and translucent interior, important properties that drive material recognition and food acceptance. Yet, a thorough…”
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Haptic mental rotation revisited: multiple reference frame dependence by Volcic, Robert, Wijntjes, Maarten W.A., Kappers, Astrid M.L.

“…The nature of reference frames involved in haptic spatial processing was addressed by means of a haptic mental rotation task. Participants assessed the parity…”
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Time-of-day perception in paintings by Yu, Cehao, Van Zuijlen, Mitchell J P, Spoiala, Cristina, Pont, Sylvia C, Wijntjes, Maarten W A, Hurlbert, Anya

“…The spectral shape, irradiance, direction, and diffuseness of daylight vary regularly throughout the day. The variations in illumination and their effect on…”
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Painterly depiction of material properties by van Zuijlen, Mitchell J P, Pont, Sylvia C, Wijntjes, Maarten W A

“…Painters are masters of depiction and have learned to evoke a clear perception of materials and material attributes in a natural, three-dimensional setting,…”
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