Search Results - "Taffou, Marine"

Auditory roughness elicits defense reactions by Taffou, Marine, Suied, Clara, Viaud-Delmon, Isabelle

“…Auditory roughness elicits aversion, and higher activation in cerebral areas involved in threat processing, but its link with defensive behavior is unknown…”
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Anisotropy of lateral peripersonal space is linked to handedness by Hobeika, Lise, Viaud-Delmon, Isabelle, Taffou, Marine

“…The space immediately surrounding our bodies, i.e., peripersonal space (PPS), is a critical area for the interaction with the external world, be it to deal…”
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Auditory Sketches: Very Sparse Representations of Sounds Are Still Recognizable by Isnard, Vincent, Taffou, Marine, Viaud-Delmon, Isabelle, Suied, Clara

“…Sounds in our environment like voices, animal calls or musical instruments are easily recognized by human listeners. Understanding the key features underlying…”
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Social coding of the multisensory space around us by Hobeika, Lise, Taffou, Marine, Viaud-Delmon, Isabelle

“…Multisensory integration of stimuli occurring in the area surrounding our bodies gives rise to the functional representation of peripersonal space (PPS). PPS…”
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Capturing the dynamics of peripersonal space by integrating expectancy effects and sound propagation properties by Hobeika, Lise, Taffou, Marine, Carpentier, Thibaut, Warusfel, Olivier, Viaud-Delmon, Isabelle

“…•Measuring expectation helps to interpret audiotactile integration behavioral impact.•Tactile RTs follow a logarithmic decrease due to audiotactile…”
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Cynophobic fear adaptively extends peri-personal space by Taffou, Marine, Viaud-Delmon, Isabelle

“…Peri-personal space (PPS) is defined as the space immediately surrounding our bodies, which is critical in the adaptation of our social behavior. As a space of…”
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Acoustic and auditory sketches: Recognition of severely simplified natural sounds by human listeners by Isnard, Vincent, Taffou, Marine, Viaud-Delmon, Isabelle, Suied, Clara

“…Sounds in our environment like voices, animal calls, or musical instruments can be recognized on the basis of timbre alone. The objective of this study was to…”
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Only your eyes tell me what you like: Exploring the liking effect induced by other's gaze by Ulloa, José Luis, Marchetti, Clara, Taffou, Marine, George, Nathalie

“…Our preferences are sensitive to social influences. For instance, we like more the objects that are looked-at by others than non-looked-at objects. Here, we…”
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Auditory-visual aversive stimuli modulate the conscious experience of fear by Taffou, Marine, Guerchouche, Rachid, Drettakis, George, Viaud-Delmon, Isabelle

“…In a natural environment, affective information is perceived via multiple senses, mostly audition and vision. However, the impact of multisensory information…”
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Multisensory aversive stimuli differentially modulate negative feelings in near and far space by Taffou, Marine, Ondřej, Jan, O’Sullivan, Carol, Warusfel, Olivier, Dubal, Stéphanie, Viaud-Delmon, Isabelle

“…Affect, space, and multisensory integration are processes that are closely linked. However, it is unclear whether the spatial location of emotional stimuli…”
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Judging crowds’ size by ear and by eye in virtual reality by Taffou, Marine, Ondřej, Jan, O’Sullivan, Carol, Warusfel, Olivier, Viaud-Delmon, Isabelle

“…Judging the size of a group of people is an everyday task, on which many decisions are based. In the present study, we investigated whether judgment of size of…”
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Auditory-visual integration of emotional signals in a virtual environment for cynophobia by Taffou, Marine, Chapoulie, Emmanuelle, David, Adrien, Guerchouche, Rachid, Drettakis, George, Viaud-Delmon, Isabelle

“…Cynophobia (dog phobia) has both visual and auditory relevant components. In order to investigate the efficacy of virtual reality (VR) exposure-based treatment…”
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A Psychophysical Exploration of the Perception of Emotion from Abstract Art by Dubal, Stéphanie, Lerebours, Aure-Elise, Taffou, Marine, Pelletier, Jérôme, Escande, Yolaine, Knoblauch, Kenneth

“…Centuries ago, western philosophers of art proposed that an artifact may express emotion. The much older tradition of Chinese calligraphy and landscape…”
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