Search Results - "Studies in European cinema"

Racially profiled?: 'Jewish' vampirism in Friedrich Wilhelm Murnau's Nosferatu (1922) by Harrabin, Molly

“…Since 1947 and Siegfried Kracauer's seminal From Caligari to Hitler: A Psychological History of the German Film, Weimar Film Studies has been dominated by…”
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Béla Tarr and the moving camera: slow noir in Damnation and The Man from London by Barrowman, Kyle

“…In the history of film studies, few developments have proven to be as fascinating as film noir, while few aesthetic devices have proven to be as perplexing as…”
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Portuguese cinema and its discontents: a view from the film archive by Sampaio, Sofia

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Isolated figures in a remote Scottish Landscape: place and identity in the films of Scott Graham by Petrie, Duncan

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Precarity in Portuguese cinema by Graça, André Rui

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The metafictional depiction of burial in Son of Saul by Ahmed, Ayesha

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Substantiating vulnerability in As bestas (2022): a political neo-noir encounter between insiders and outsiders in rural Spain by Mugica, Joaquin Lopez, Whyke, Thomas William

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A linguist among cineastes: Roman Jakobson on the moving image by Puyal, Alfonso

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Sensibility in the world of science and gendered society: the ethics and aesthetics of skin in The Skin I Live In by Liu, Qi

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History as Ritual: Fernando Arrabal's L'arbre de Guernica and the Panic Historical Film by Paris, Yago

“…In the present article, L'Arbre de Guernica (Fernando Arrabal, 1975) is analysed. The aim of this paper is to study the suitability of an experimental film as…”
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Running in circles? by Evans, Owen

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Socialist cinema, gender, and the robot revolution: Ion Popescu Gopo's Galax, the Doll-Man (1984) beyond Utopia and Dystopia by Ungureanu, Camil

“…In this article, I argue for the relevance of Eastern European cinema dealing with the robot revolution in the context of Romanian communism. I aim to fill a…”
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Natural is not in it: Irony, Environment and Genre in Spoor (2017) by Paszkiewicz, Katarzyna

“…Agnieszka Holland's animal rights horror-thriller Spoor (2017) can be read as a revenge tale wherein women, non-hegemonic men and animals join forces against…”
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Manoel de Oliveira and the reconciliation between theatre and cinema: forms and resources for the audiovisual preservation of theatre in his films by Ruiz del Olmo, Francisco Javier, Cantos-Ceballos, Antonio

“…The extensive, enigmatic, and singular work of the Portuguese filmmaker Manoel de Oliveira (1908-2015) has been analysed from many perspectives, emphasising…”
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Home, family, and violence: the films of João Canijo by Ribas, Daniel

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Sans soleil by Chris Marker. The essay film and its cinematic thinking process: reflecting on postmodernity by Monterrubio Ibáñez, Lourdes

“…The essay film is defined by its capability to embody an audiovisual thinking process. Chris Marker's Sans soleil/Sunless (1983) is undoubtedly one of the…”
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How does film education increase the economic and social impact of European arthouse cinema? the case of the danish initiative Med Skolen i Biografen /School Cinema by Mitric, Petar

“…Focusing on one representative case study - the Danish film literacy initiative School Cinema (Med skolen i biografen) - this article investigates how film…”
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Review of Vampires in Italian cinema, 1956-1975 Review of Vampires in Italian cinema, 1956-1975 , by Michael Guarneri, Edinburgh University Press, 2020, 209 pp, ISBN 9781474458115: by Michael Guarneri, Edinburgh University Press, 2020, 209 pp, ISBN 9781474458115 by Bayman, Louis

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Blackthorn (Mateo Gil, 2011): an inter-national, revisionist, Spanish Western by Ibarraran-Bigalondo, Amaia

“…The international influence of the Western cinematographic genre is indubitable. In this genre, the West is portrayed as a space in which conflicting forces…”
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The journey of an identity: disorienting transnational ‎identifications in Souad El Bouhati's Française (2008) by Chemlal, Said

“…This article attempts to bring to light the process of identification among diasporic Moroccan-French subjects through analysing Souad El Bouhati's debut…”
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