Search Results - "Studies in Australasian cinema"

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    Storytelling with virtual reality in 360-degrees: a new screen grammar by Dooley, Kath

    Published in Studies in Australasian cinema (02-09-2017)
    “…With reference to three recently produced Australian case studies, this article explores approaches to the conceptualization and writing of short narratives…”
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    Journal Article
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    Wildlife Watcher Kylie: co-designing a virtual ambassador for the Koala Watch programme by Zelenskaya, Maria, Rundle-Thiele, Sharyn

    Published in Studies in Australasian cinema (02-09-2022)
    “…This paper describes a creative collaboration between Griffith University and Redland City Council that was piloted in 2020-2021. The project developed and…”
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    Journal Article
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    'Falling leaves return to their roots'? The reception of Chinese blockbusters by Chinese university students in New Zealand by Huffer, Ian, Gong, Yuan

    Published in Studies in Australasian cinema (02-09-2023)
    “…This article examines the extent to which the films Wolf Warrior 2 (战狼2) (Wu 2017) and The Wandering Earth (流浪地球) (Guo 2019) might help to cultivate pride in…”
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    Journal Article
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    The forgotten history of the Australian film musical: tracking the production and development of the genre in Australia by Macrossan, Phoebe

    Published in Studies in Australasian cinema (02-09-2023)
    “…While Australian film studies has located various genres, including horror, comedy, action/adventure, science fiction, and crime within the broader…”
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    Journal Article
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    Mad Max and the Western by Holtz, Martin

    Published in Studies in Australasian cinema (02-09-2023)
    “…The Mad Max films were among the most successful exports of the Australian New Wave and had an enormous impact on shaping what the cinematic post-apocalyptic…”
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    Innovation in true crime: generic transformation in documentary series by Maher, Sean, Cake, Susan

    Published in Studies in Australasian cinema (04-05-2023)
    “…This discussion explores innovation in true crime programming on streaming platforms and on-demand catch up broadcast television services. Altered consumption…”
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    A dream, a visual diary: disruptive narrative modes in When the Camera Stopped Rolling (Jane Castle, 2021) by Collins, Felicity

    Published in Studies in Australasian cinema (04-05-2023)
    “…Dubbed 'a forgotten trailblazer' of Australian filmmaking, Lilias Fraser was also the mother of cinematographer, Jane Castle, who spent more than a decade…”
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    Manifesto as method for a queer screen production practice by Taylor, Stayci, Black, Angie, Kelly, Patrick, Munro, Kim

    Published in Studies in Australasian cinema (04-05-2023)
    “…The authors reflect on creating a collaborative creative work that was developed both with, and as, a manifesto. Using queer theory as a framework, the authors…”
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    Disruptive docs: teaching hybrid documentary filmmaking in Australia by Hart, Phoebe

    Published in Studies in Australasian cinema (04-05-2023)
    “…As a documentary educator and practitioner in Australia, 'truth' is an area of concern for both my students and I in undertaking the risky capturing and the…”
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    University film schools at the heart of creative collaborations with industry: a case study by Sergi, Michael, Fitchett, Chris, Fisher, Darren Paul

    Published in Studies in Australasian cinema (04-05-2023)
    “…This paper is a detailed case study of how the Bond University Film and Television School collaborated with external production companies to actively…”
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    Investigating older women as lead protagonists: an Australian case study of Stateless (2020) by Tindale, Joanne M.

    Published in Studies in Australasian cinema (04-05-2023)
    “…Screen Australia's Gender Matters Program (2015-2023) addresses the underrepresentation of women in the screen industry. Older women continue to be less…”
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    Disrupting the self: script development within the academy by Cake, Susan, Sawtell, Louise

    Published in Studies in Australasian cinema (04-05-2023)
    “…Screenwriting within the Academy creates opportunities for female writers to question and challenge traditional and industrial approaches to script…”
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    Journal Article
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