Search Results - "South African theatre journal"

Implicit cultural policies in Zimbabwe: insights from Stephen Joel Chifunyise’s plays and theatre by Chatikobo, Munyaradzi

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Exploring conflicts between traditional Shona practises and post-colonial modernity in gender roles in Stephen Chifunyise’s Oh My Grandfather by Rossi, Selma Ari De

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Acts of gender activism in Stephen Chifunyise’s selected plays by Mutonhodza, Dorica Mhako

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Extending the multiculturalism metaphors: state identity in Nasarawa State’s Su-dir dance theatre as fruit salad juice by Tume, Tosin Kooshima

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All wounds speak – performing trauma/witnessing grief by Krueger, Anton

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Intimate Affairs and other Plays by Stephen Chifunyise: A Review by Moyo, Cletus

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Stephen Joel Chifunyise and his contribution to the praxis of Afroscenology by Ravengai, Samuel

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Chifunyise and the folktale as ideology and pedagogy: an autoethnography by Mabasa, Ignatius T.

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Surfacing woman-consciousness in Reza de Wet's On the Lake by Stander, Danie

“…Reza de Wet is one of South Africa's most acclaimed and translated playwrights. On the Lake is one of her most under-researched plays. It forms part of a…”
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Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen's Tin Bucket Drum and Nadia Davids' What Remains by Seda, Owen, Rapoo, Connie

“…The experimental pedigree of South African drama of the anti-apartheid period requires no introduction. This pedigree was established during the years of…”
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Training strategies towards performing emotions on film: an integrated approach by Bester, Lelia, Munro, Marth

“…South African film budgets do not allow for extensive preparation and rehearsal periods. South African film actors prepare their portrayal of emotion as part…”
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Audience and the transformation of performance in African theatre through Iredi War and Ekuechi festival by Mark, Tekena Gasper

“…African theatre encompasses theatrical practices that predate European colonization. Using Sam Ukala's play, Iredi War, a modern Nigerian drama infused with…”
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Performing facekuerade to navigate internally displaced persons desolation in the performance of Eliagwu Ameh's Displaced by Tsadu Gana, Emmanuel, Abubakar, Abdulmalik

“…This paper adopts Sunnie Ododo's 'Facekurade Theatre' as a framework for interrogating the stage performance of Eliagu Ameh's Displaced as directed by Olagoke…”
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Carnival and Afikpo Njenje-Masquerade: examining an indigenous tradition in a postmodernist parade performance by Orji, Bernard Eze

“…Carnivals as seen in Nigeria's performance space have become tourism products that draw from traditional indigenous practices and the ever unfolding forms of…”
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Transgressive marginalities in youth pop culture: negotiating the challenges of the post-colony in contemporary Zimbabwe by Seda, Owen, Muwonwa, Ngonidzashe

“…In the last two decades, Zimbabwe has faced a series of intractable political and socio-economic crises, resulting in abject economic collapse, stratospheric…”
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Space for haunting: site-specific theatre as method for engaging with the complexity of heritage sites by Halligey, Alex, Guhrs, Tamara

“…This paper considers a devised, site-specific performance in and about the Windybrow, a mining magnate heritage house-turned-arts-centre in Johannesburg's…”
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A comparative analysis of aspects influencing live theatre ticket purchases of teenagers and students in South Africa by Wessels, Walter, Viviers, Pierre-André, Botha, Karin

“…A decline in live theatre ticket sales and, more recently, the impact of Covid-19 on the live theatre industry, are forcing live theatre providers and…”
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Occupational Health and Safety concerns within the live events industry at selected venues in Gaborone, Botswana: a pragmatic and utilitarian approach by Khiba, Kgosi, Seda, Owen, Fourie, Anre

“…This paper investigates potential hazards and health and safety risks in the live events industry in the city of Gaborone, Botswana. The study borrows from…”
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Creating a psychologically believable character: investigating the manifestation of the filicidal mother in And all the children cried (Jones and Campbell 2002) by Holm, Nicole, Pretorius, Mareli Hattingh

“…This article investigates the extent to which And all the children cried (Jones and Campbell 2002) adheres to research on maternal filicide. This would…”
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Aesthetic distance as deus ex machina when the performer's trauma is (not quite/quiet) by Ngcobo, Balindile

“…This article employs Practice as Research (PaR) as a paradigm to explicate the specialised research insights produced during the theatre-making process of…”
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