Search Results - "Rúa Landa, Carlos"

Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile) by Tomasini, Eugenia P., Cárcamo, José, Castellanos Rodríguez, Diana M., Careaga, Valeria, Gutiérrez, Sebastián, Rúa Landa, Carlos, Sepúlveda, Marcela, Guzman, Fernando, Pereira, Magdalena, Siracusano, Gabriela, Maier, Marta S.

“…The Andean church of San Andrés de Pachama is located in the highland of the northernmost of Chile, near the limit with Bolivia and next to the Ruta de la…”
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Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation by Tomasini, Eugenia P., Costantini, Ilaria, Rúa Landa, Carlos, Guzmán, Fernando, Pereira, Magdalena, Castro, Kepa, Siracusano, Gabriela, Madariaga, Juan Manuel, Maier, Marta S.

“…This work describes the characterization of green pigments in wall paintings from the Andean churches of San José de Soracachi and Santiago de Callapa in…”
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Atacamite as a natural pigment in a South American colonial polychrome sculpture from the late XVI century by Tomasini, Eugenia P., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

“…The image of Our Lady of Copacabana is a gilded polychrome sculpture manufactured in maguey wood at the end of the 16th century. It is a highly devotional…”
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Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting by De Haro, Andrea, Córdova, Milagros, Rua Landa, Carlos, Huck-Iriart, Cristián, Siracusano, Gabriela, Maier, Marta S., Tomasini, Eugenia

“…Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in…”
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A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia) by Tomasini, Eugenia, Rodríguez, Diana Castellanos, Gómez, Blanca A., de Faria, Dalva L.A., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

“…The Andean church of Our Lady of Copacabana de Andamarca in Bolivia was built in 1723. Its walls are made of adobe bricks and are decorated with paintings…”
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Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia) by Tomasini, Eugenia P., Marte, Fernando, Careaga, Valeria P., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

“…The image of Our Lady of Copacabana, a gilded polychrome sculpture carved in maguey wood in 1583, is one of the most important devotions in the Americas. In…”
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Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia) by Tomasini, Eugenia P., Marte, Fernando, Careaga, Valeria P., Landa, Carlos Rúa, Siracusano, Gabriela, Maier, Marta S.

“…The image of Our Lady of Copacabana, a gilded polychrome sculpture carved in maguey wood in 1583, is one of the most important devotions in the Americas. In…”
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Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals by Tomasini, Eugenia, Costantini, Ilaria, Careaga, Valeria, Landa, Carlos Rua, Castro, Kepa, Madariaga, Juan Manuel, Maier, Marta, Siracusano, Gabriela

“…•Analyses with complementary techniques were applied to the old painted altar corresponding to the first decoration of the church of Curahuara de Carangas…”
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