Search Results - "Palazzetti, Nicolò"
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Opera Fandom in the Digital Age: A Case Study from the Teatro alla Scala
Published in The Opera quarterly (24-01-2024)Get full text
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From street musicians to divas. Italian musical migration to London in the age of diaspora
Published in Journal of modern Italian studies (01-01-2021)“…The history of Italian musical migration to London is rich and complex. From the beginning of the eighteenth century Italian musicians played a major role in…”
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Opera Fandom in the Digital Age: A Case Study from the Teatro alla Scala
Published in The Opera quarterly (2021)Get full text
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The Bartók Myth. Fascism, Modernism and Resistance in Italian Musical Culture
Published in International review of the aesthetics and sociology of music (01-12-2016)“…Bartók's status as an antifascist hero is a myth of our age. To retrace its origins represents a way to discover the values that we associate with modernist…”
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“New Avenues for Listening.” Sensory Culture in the Digital Age and the Persistence of Utopia
Published in Transposition (31-03-2017)“…Michael Bull is a Professor of Sound Studies at the University of Sussex, in England. His research focuses on the relationship between new mobile technologies…”
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Gianmario Borio (ed.), Musical Listening in the Age of Technological Reproduction: Farnham Ashgate, 2015, 407 p
Published in Transposition (30-06-2022)Get full text
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Gianmario Borio (ed.), Musical Listening in the Age of Technological Reproduction
Published in Transposition (01-05-2022)Get full text
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Lisa Giombini, Musical Ontology: A Guide for the Perplexed: Milano/Udine, Mimesis International, 2017
Published in Transposition (15-09-2018)Get full text
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Robert Adlington (ed.), Red Strains. Music and Communism Outside the Communist Bloc
Published in Transposition (01-11-2015)Get full text
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Il musicista della libertà»: l'influenza di Béla Bartók nella cultura musicale italiana degli anni Quaranta e Cinquanta del Novecento
Published in Rivista italiana di musicologia (01-01-2015)“…The political legacy of Hungarian composer Bela Bartók is a crucial theme to understand European culture of the Cold War era. In this article, drawing on Cold…”
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Opera, Audio Technologies, and Audience Practices in the Late Nineteenth Century: The Case of Jules Verne
Published in Sound Stage Screen (31-03-2023)“…This article analyzes several novels and short stories by Jules Verne devoted to opera, audio technologies, and audience practices. This portion of Verne’s…”
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“New Avenues for Listening.” Sensory Culture in the Digital Age and the Persistence of Utopia: An Interview with Michael Bull
Published in Transposition (2016)“…Michael Bull is a Professor of Sound Studies at the University of Sussex, in England. His research focuses on the relationship between new mobile technologies…”
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Opera, Audio Technologies, and Audience Practices in the Late Nineteenth Century
Published in Sound Stage Screen (01-03-2023)“…This article analyzes several novels and short stories by Jules Verne devoted to opera, audio technologies, and audience practices. This portion of Verne’s…”
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Lisa Giombini, Musical Ontology: A Guide for the Perplexed
Published in Transposition (15-10-2018)“…Musical ontology is one of most lively areas of research within analytic philosophy of music. It is an established academic branch in several regions of the…”
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New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez
Published in Il saggiatore musicale (01-07-2015)Get full text
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