Search Results - "Noisternig, Markus"

Perceptual analysis of directional late reverberation by Alary, Benoit, Massé, Pierre, Schlecht, Sebastian J., Noisternig, Markus, Välimäki, Vesa

“…The late reverberation characteristics of a sound field are often assumed to be perceptually isotropic, meaning that the decay of energy is perceived as…”
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Design framework for spherical microphone and loudspeaker arrays in a multiple-input multiple-output system by Morgenstern, Hai, Rafaely, Boaz, Noisternig, Markus

“…Spherical microphone arrays (SMAs) and spherical loudspeaker arrays (SLAs) facilitate the study of room acoustics due to the three-dimensional analysis they…”
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Design of Spatial Microphone Arrays for Sound Field Interpolation by Chardon, Gilles, Kreuzer, Wolfgang, Noisternig, Markus

“…This paper presents a design method for microphone arrays with arbitrary geometries. Based on a theoretical analysis and on the magic points method, it allows…”
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Denoising Directional Room Impulse Responses with Spatially Anisotropic Late Reverberation Tails by Massé, Pierre, Carpentier, Thibaut, Warusfel, Olivier, Noisternig, Markus

“…Directional room impulse responses (DRIR) measured with spherical microphone arrays (SMA) enable the reproduction of room reverberation effects on…”
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From ear to hand: the role of the auditory-motor loop in pointing to an auditory source by Boyer, Eric O, Babayan, Bénédicte M, Bevilacqua, Frédéric, Noisternig, Markus, Warusfel, Olivier, Roby-Brami, Agnes, Hanneton, Sylvain, Viaud-Delmon, Isabelle

“…Studies of the nature of the neural mechanisms involved in goal-directed movements tend to concentrate on the role of vision. We present here an attempt to…”
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A robust denoising process for spatial room impulse responses with diffuse reverberation tails by Massé, Pierre, Carpentier, Thibaut, Warusfel, Olivier, Noisternig, Markus

“…Spatial room impulse responses (SRIRs) measured using spherical microphone arrays are seeing increasingly widespread use in reproducing room reverberation…”
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A comparative study of Interaural Time Delay estimation methods by Katz, Brian F G, Noisternig, Markus

“…The Interaural Time Delay (ITD) is an important binaural cue for sound source localization. Calculations of ITD values are obtained either from measured time…”
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Spatially Oriented Format for Acoustics 2.1: Introduction and Recent Advances by Majdak, Piotr, Zotter, Franz, Brinkmann, Fabian, De Muynke, Julien, Mihocic, Michael, Noisternig, Markus

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Comparison of direct and indirect perceptual head-related transfer function selection methods by Zagala, Franck, Noisternig, Markus, Katz, Brian F. G.

“…When a personalized set of head-related transfer functions (HRTFs) is not available, a common solution is identifying a perceptually appropriate substitute…”
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Spatial analysis of sound fields in rooms using spherical MIMO systems by Morgenstern, Hai, Noisternig, Markus, Rafaely, Boaz

“…The perception of sound by human listeners in a room has been shown to be affected by the spatial attributes of the sound field. These spatial attributes have…”
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A comparative study of interaural time delay estimation methods by Katz, Brian F. G., Noisternig, Markus

“…The Interaural Time Delay (ITD) is an important binaural cue for sound source localization. Calculations of ITD values are obtained either from measured time…”
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Sound radiation properties of musical instruments and their importance for performance spaces, room acoustics measurements or simulations, and three-dimensional audio applications by Caussé, René E., Noisternig, Markus, Wausfel, Olivier

“…The directionality of the radiated sound is very specific to each musical instrument. The underlying radiation mechanisms may, for instance, depend on the…”
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Holophonic Sound in IRCAM’s Concert Hall: Technological and Aesthetic Practices by Carpentier, Thibaut, Barrett, Natasha, Gottfried, Rama, Noisternig, Markus

“…This article presents a report on technological and aesthetic practices in the variable-acoustics performance hall, Espace de Projection, at the Institut de…”
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Perceptual control of convolution based room simulators by Noisternig, Markus, Carpentier, Thibaut, Warusfel, Olivier

“…Reverberation processing has been intensively studied in audio and acoustics research for many years now. Early approaches used feedback delay networks to…”
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Representation of the spatial impulse response of a room by Fazi, Filippo M., Noisternig, Markus, Warusfel, Olivier

“…Microphone arrays allow for the measurement of the so-called spatial impulse response (SIR) of a room or of a concert hall. The SIR provides a local…”
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Design of a robust open spherical microphone array by Chardon, Gilles, Kreuzer, Wolfgang, Noisternig, Markus

“…This paper presents a method for designing a robust open spherical microphone array that overcomes the typical problems of open sphere geometries at…”
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Real-time auralization system based on beam-tracing and mixed-order Ambisonics by Noisternig, Markus, Savioja, Lauri, Katz, Brian F.

“…Auralization, the final step in computational room acoustic simulations, aims to make audible the acoustics of complex virtual architectural spaces in a…”
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Spatial rendering of audiovisual synthetic speech use for immersive environments by Noisternig, Markus, Katz, Brian F., D'Alessandro, Christophe

“…Synthetic speech is usually delivered as a mono audio signal. In this project, audiovisual speech synthesis is attributed to a virtual agent moving in a…”
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Design framework for spherical microphone and loudspeaker arrays in a multiple-input multiple-output system by Morgenstern, Hai, Rafaely, Boaz, Noisternig, Markus

“…J. Acoust. Soc. Am. 2017, vol 141, no 3, 2024-2038 Spherical microphone arrays (SMAs) and spherical loudspeaker arrays (SLAs) facilitate the study of room…”
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A Sounding Body in a Sounding Space: the Building of Space in Choreography - Focus on Auditory-motor Interactions by Viaud-Delmon, Isabelle, Mason, Jane, Haddad, Karim, Noisternig, Markus, Bevilacqua, Frédéric, Warusfel, Olivier

“…In the last 4 years, we have developed a partnership between dance and neuroscience to study the relationships between body space in dance and the surrounding…”
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