Search Results - "Nano (New York, N.Y.)"

Editors' Introduction for NANO Special Issue 16: "This Is What Makes Us Girls": Gender, Genre, and Popular Music by Kappeler, Erin, Tracy, Ryan

“…Boys don't cry. God is a woman. I can't talk right now, I'm doing hot girl shit. Popular music has a long history of defining gender for its listeners. Our…”
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"Y'all don't work jobs. Bitch, y'all is a job": Deconstructing Friendship and Labor with the City Girls by Mosley, William H., III

“…This article explores the discourses of friendship and friendship's deviant formations cultivated between Black women and Black queer men as represented in the…”
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An Interview with Melissa A. Weber, Curator, Hogan Archive of New Orleans Music and New Orleans Jazz, Tulane University Special Collections by Kappeler, Erin, Tracy, Ryan

“…This interview with musicologist and curator Melissa A. Weber explores the connections and disjunctions between institutional archives and surrounding…”
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Stupid Love: Notes on a Lyric by Lady Gaga by James, Patrick Clement

“…"Stupid Love: Notes on a Lyric by Lady Gaga" situates Lady Gaga's pop song "Stupid Love" within Platonist and Pauline philosophies on love. Deploying a…”
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The Solicitation of Deconstruction by Wills, David

“…The following text is an edited and augmented version of a keynote address that was given by David Wills on June 10, 2016, at the Derrida Today Conference held…”
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Thee Megan Movement: Defining and Exploring Hot Girl Rhetoric by Perro, Ebony L

“…This article argues that through defining and designing hot girlhood, Megan Thee Stallion constructs hot girl rhetoric, a lexicon of ratchet resistance that…”
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"I am dead yet I live": Revealing the Enigma of Art in Twin Peaks: The Return by Mactaggart, Allister

“…For fans, returning to Twin Peaks for a third season was always going to be wrought with intense speculation, anticipation, and, perhaps, a hint of…”
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Sentiment, Mood, and Performing the Past: James Hurley's Re-enactment of "Just You" in Twin Peaks: The Return by Hall, Simon

“…This essay challenges the critical notion of David Lynch as a "trickster figure" in his approach to Twin Peaks. David McAvoy points to Lynch's employment of…”
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"The Past Dictates the Future": Epistemic Ambivalence and the Compromised Ethics of Complicity in Twin Peaks: The Return and Fire Walk with Me by Jones, Joshua

“…In this paper I explore questions of epistemology and complicity in Twin Peaks: The Return with reference to the original series and to Twin Peaks: Fire Walk…”
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Drink Full and Descend: The Horror of Twin Peaks: The Return by Hallam, Lindsay

“…Throughout the work of director and co-creator David Lynch images of horror recur, as the mundane and the ordinary becomes ominous and terrifying. The home and…”
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The Horse is the White of the Eye: Pioneering and the American Southwest in Twin Peaks by King, Rob E

“…This paper examines imagery of the American Southwest and its history in the transmedia of David Lynch and Mark Frost's Twin Peaks. Elements in season three…”
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Kafka, Lynch, and Frost--The Trial and Tribulations in Twin Peaks: The Return by Loncar, Karla

“…Based on David Lynch's lifelong preoccupation with the prose of Franz Kafka, this article argues that Twin Peaks: The Return (2017) represents an homage to…”
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David Lynch Sprawls by Martin, Richard

“…Lasting eighteen hours and featuring umpteen locations, Twin Peaks: The Return spreads out across time and space in a manner rarely seen in David Lynch's work…”
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Someone Is in My House: The Art of David Lynch at the Bonnefanten Museum by Peeters, Robert

“…The works exhibited at the Bonnefanten Museum in Maastricht, The Netherlands, represent an extensive overview of David Lynch's non-cinematic output over an…”
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Editor's Introduction for NANO Special Issue 15: Twin Peaks: The Return by Miller, Matt

“…English and film departments in American academia have for decades debated the roles of author and audience authority in relation to texts and films, and the…”
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Editor's Postscript for NANO Special Issue 15: Twin Peaks: The Return, Walter Benjamin, and Jeffrey Epstein by Lau, Matthew

“…The show’s surreal and mordantly satirical depiction of the American Dream as a nightmare began just after political scientist Francis Fukayama’s so-called…”
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The Artistic Evangelism of David Lynch: Transcendental Meditation, World Peace, and Laura Palmer by Sheldon, Zachary

“…David Lynch has long defied explanation, his art confounding traditional interpretations. This article posits that one starting point for interpreting Lynch's…”
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Review: Someone Is in My House: The Art of David Lynch at the Bonnefanten Museum by Peeters, Robert

“…The works exhibited at the Bonnefanten Museum in Maastricht, The Netherlands, represent an extensive overview of David Lynch’s non-cinematic output over an…”
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Editor's Introduction for NANO Special Issue 14: Captivity Narratives Then and Now: Gender, Race, and the Captive in Twentieth- and Twenty-First-Century American Literature and Culture by Behrent, Megan

“…Tales of captivity have dominated the digital streaming universe in recent years even as the captivity narrative has proven to be a malleable genre: from the…”
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Personal Trials and Social Fears: Examining Reflexivity in Captivity Narratives by Irvine, Leslie, Alshaibi, Wisam H

“…In both the historical and contemporary contexts, women's narratives of abduction and captivity have played varied roles, serving as memoirs and sources of…”
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