Search Results - "Music in art"

Singing the Eucharist to the Kithara of Jesus: Women, Music, and Intellectual Devotion in Painting from New Spain by Ramírez, Carolina Sacristán

“…The anonymous colonial painting known as Niño Dios Redentor (Child God the Redeemer; private collection), produced in Mexico in the 1730s, shows Christ Child…”
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Theater Decorations in Pressburg in the Eighteenth and Nineteenth Centuries by Laslavíková, Jana

“…In 1776 Count Georg Csáky de Körösszegh had the first brick-and-mortar Municipal Theater built in Pressburg (present-day Bratislava). He thereby completed the…”
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Music and Dance in Roman Theatre: The Ancient Pantomime by Castaldo, Daniela

“…Pantomime was one of the most popular and successful theatrical genres widespread in all the regions of the Roman Empire from the Augustan age to the…”
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The Musical Rapture of Saint Francis of Assisi: Hagiographic Adaptations and Iconographic Influences by Roberts, Holly

“…There are countless seventeenth- and eighteenth-century depictions of Saint Francis of Assisi and a musical angel in churches and museums throughout western…”
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Musical Iconography in the Miniatures Illustrating Niẓāmi’s Ḵamsa by Bayramova, Alla

“…Both poems by Niẓāmi Ganjavi (1141–1209) and their illustrations created between the thirteenth and the eighteenth century, reflect information about musical…”
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Re-Awakening Mercury’s Cithara: A Closer Look at Federico’s Cetra by Young, Crawford

“…Among about a dozen of instruments represented on the intarsias once decorating the studiolo of Federico da Montefeltro (1422–1482) in Gubbio, there is a…”
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What Are We Talking About When We Talk About Videodance? by Monda, Letizia Gioia

“…Videodance is a hybrid practice (Kappenberg, 2015) coming from the dialogue between dance and moving images. Through the years, this performative art has been…”
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Towards New Artistic Paths Within Contemporary Synesthetic Research: Marco De Biasi’s Phonochromatic System by Degano, Giulia, Chávez, Rodrigo Herrera, De Biasi, Marco

“…Could historical avant-gardes still drive significantly innovative and interdisciplinary research? And, if so, is the current aesthetic research contributing…”
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Realism and Idealism in Juan Gris’s Still Lifes with Musical Instruments by Santarelli, Cristina

“…Considered the most “logical” of the analytical Cubists and at the same time the “purest” of the synthetic Cubists, the Spanish painter Juan Gris (1887–1927)…”
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John Sloan and Angna Enters: Portraits of a Dance-Mime by Bergquist, Stephen A.

“…Angna Enters (1897–1989) had a highly successful career of forty years, from the mid-1920s to the mid-1960s, presenting her one-woman shows of dance and mime…”
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Music Theories and Identity Issues: Depicting Canons chez Alfonso I d’Este by Prignano, Gaia

“…Alfonso I d’Este (1476–1534), Third Duke of Ferrara has commissioned between 1505 and 1534 Allegory of Music from Dosso Dossi (ca. 1489–1542) and Bacchanal of…”
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Black Slaves’ Music and Dance in the Sixteenth and Seventeenth Centuries: Spanish, Italian and French Reflections by Ferrari-Barassi, Elena

“…In 1621 Jacques Callot (ca. 1592–1635), born in Lorraine and active in Italy for about a decade, published the series of engravings Balli di Sfessania; these…”
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The Arensberg Salon in Visual Representation: Chez Arensberg by André Raffray and the Historiography of Dada by Bebermeier, Carola

“…The salon of Louise (1879–1953) and Walter Arensberg (1878–1954) in New York existed for a short period, from 1915 to 1921. As art collectors, the Arensbergs…”
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L’ékphrasis come sussidio all’iconografia musicale: Funzione metanarrativa delle immagini nel romanzo moderno e contemporaneo by Santarelli, Cristina

“…The interweaving of words and images is a fruitful key to understanding the history of culture and to reconnecting the links between tradition and…”
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Drawing the Other: The Images of the Malaspina Expedition (1789–1794) by Ginesi, Gianni

“…During the last part of the eighteenth century, the Spanish Kingdom organized one of the largest scientific expeditions for the documentation of the New World…”
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Musical Resonances in the Assumption of Mary and Their Reflection in the Italian Trecento and Quattrocento Painting by Salvador-González, José María

“…The doctrinal approaches and the visual representations of the Death or Dormition of the Virgin were inspired by some apocryphal legends of different…”
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London’s Opera House in Colour 1705–1844, with Diversions in Fencing, Masquerading, and a Visit from Elisabeth Félix by Burden, Michael

“…What color was the King’s Theater? This huge indoor space was not only London’s performance space for elite opera and dance, but a building that dominated the…”
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Rediscovering Graphic Notation in the Iberian Peninsula: Catalan Composers in a Contact with the International Avant-Garde by Corral, Marina Buj

“…Graphic notation in the Iberian Peninsula during the second half of the twentieth century constitutes an important source for understanding cultural exchange…”
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Symbolism and Identity: Musical Scenes in Spanish Paintings at the Turn of the Twentieth Century by Sanclemente, Ruth Piquer

“…At the end of the nineteenth century, between the regency of Christine von Habsburg and the first years of the reign of Alfonso XIII, Spain suffered economic,…”
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Stefanelo Botarga and Zan Ganassa: Textual and Visual Records of a Musical commedia dell’arte Duo, In and Beyond Early Modern Iberia by Katritzky, M A

“…Among the commedia dell’arte’s renowned international stars, two who generated more pan-European interest than most were the Italian professional actors…”
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