Search Results - "Kunze, Peter C"

“We Don't Die, We Multiply”: Bebe's Kids, Hip-Hop Aesthetics, and Black Feature Animation by Kunze, Peter C

“…Bebe's Kids (dir. Bruce Smith, 1992) was the first animated feature film specifically by, about, and (arguably) for African Americans, bringing together two…”
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Revise and resubmit: Beauty and the Beast (2017), live-action remakes, and the Disney Princess franchise by Kunze, Peter C.

“…When Beauty and the Beast premiered in 1991, its self-assured protagonist was a deliberate departure from the earlier Disney princess narratives. With time,…”
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Out in the outback: Queering nationalism in Australian film comedy by Kunze, Peter C.

“…The 'ocker film' was one of the defining subgenres of the revitalized Australian cinema of the 1970s. Characterized by bawdy humor and roguish escapades, these…”
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Belles are Singing: Broadway, Hollywood, and the Failed Gone With the Wind Musical by Kunze, Peter C.

“…Despite the rich range of scholarship on the film musical, in-depth scholarly attention to the relationship between Hollywood and Broadway as symbolic centers…”
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On Second Thought by Michelson, Bruce, Shouse, Eric, Kunze, Peter C, Krefting, Beck, Dickson-Carr, Darryl

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Child's play: Nadia and romantic childhood in Nikita Mikhalkov's Burnt by the Sun by Kunze, Peter C.

“…This article critically examines the integral function of Nadia in Utomlennye solntsem/Burnt by the Sun (Mikhalkov, 1994) as a necessary component of the…”
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Bootlegs over Broadway: musical theatre (re)productions, digital circulation, and the informal media economy by Kunze, Peter C.

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Hysterical! Women in American Comedy ed. by Linda Mizejewski and Victoria Sturtevant (review) by Kunze, Peter C

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Humor and Satire on Contemporary Television: Animation and the American Joke by Silas Kaine Ezell (review) by Kunze, Peter C

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Close-Up: Hip-Hop Cinema "We Don't Die, We Multiply": Bebe's Kids, Hip-Hop Aesthetics, and Black Feature Animation by Kunze, Peter C

“…Bebe's Kids (dir. Bruce Smith, 1992) was the first animated feature film specifically by, about, and (arguably) for African Americans, bringing together two…”
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A Mickey Mouse Reader by Garry Apgar (review) by Kunze, Peter C

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Masculinity in the Contemporary Romantic Comedy: Gender as Genre by John Alberti, and: Reading the Bromance: Homosocial Relationships in Film and Television ed. by Michael DeAngelis (review) by Kunze, Peter C

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Indie, Inc.: Miramax and the Transformation of Hollywood in the 1990s. AlisaPerren. Austin: University of Texas Press, 2012. 320 pp. $60.00 cloth by Kunze, Peter C.

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For the Boys: Masculinity, Gray Comedy, and the Vietnam War in “Slaughterhouse-Five” by Kunze, Peter C.

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For the Boys: Masculinity, Gray Comedy, and the Vietnam War in “Slaughterhouse-Five” by Kunze, Peter C.

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‘Cheers, Kurt Vonnegut’: The Letters of Kurt Vonnegut by Kunze, Peter C.

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Editors' Introduction: Vonnegut's Sense of Humor by Kunze, Peter C., Tally, Robert T.

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Editors' Introduction: Vonnegut's Sense of Humor by Kunze, Peter C., Tally, Robert T.

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Shadow of a Debt: Hitchcock's Literary Sources by Kunze, Peter C.

“…[...]the collection more shows the value of adaptation studies to studies of auteurship, though scholars of adaptation studies will undoubtedly find value in…”
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The tears of a clown: Masculinity and comedy in contemporary American narratives by Kunze, Peter C

“…The Tears of a Clown questions the pervasive narrative that men have begun only recently to realize the limitations society places on them as men. Scholars of…”
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