Search Results - "Krekel, Christoph"

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  1. 1

    Are cellulose ethers safe for the conservation of artwork? New insights in their VOC activity by means of Oddy testing by Steger, Simon, Eggert, Gerhard, Horn, Wolfgang, Krekel, Christoph

    Published in Heritage science (25-04-2022)
    “…Cellulose ethers, like methyl cellulose (MC) or hydroxypropyl cellulose (HPC), are widely used in conservation. They also occur as additives and rheology…”
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    Journal Article
  2. 2

    Visualising iron gall ink underdrawings in sixteenth century paintings in-situ by micro-XRF scanning (MA-XRF) and LED-excited IRR (LEDE-IRR) by Gerken, Mareike, Sander, Jochen, Krekel, Christoph

    Published in Heritage science (08-06-2022)
    “…Until today, iron gall ink is classified as an exceptional underdrawing material for paintings. Its study and definite identification is usually based on…”
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    Journal Article
  3. 3

    The Development of a DNA Microarray for the Rapid Identification of Moulds on Works of Art by Neugebauer, Wibke, Leinberger, Dirk M., Petersen, Karin, Schumacher, Ulrike, Bachmann, Till T., Krekel, Christoph

    Published in Studies in conservation (01-01-2010)
    “…This paper describes the development and testing of a highly specific molecular tool for the identification of moulds on works of art, based on the two…”
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    Journal Article
  4. 4

    ARTISTS' PIGMENTS RECONSIDERED: DOES MODERN SCIENCE MATCH THE HISTORICAL CONTEXT? by Krekel, Christoph, Haller, Ursula, Burmester, Andreas

    Published in Studies in conservation (01-01-2006)
    “…An evaluation of old analytical reports and publications about historical painting materials revealed systematic errors in interpreting analytical data,…”
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    Journal Article
  5. 5

    Lime Blue - A Mediaeval Pigment for Wall Paintings? by Krekel, Christoph, Polborn, Kurt

    Published in Studies in conservation (01-01-2003)
    “…The rediscovery of a mixed calcium copper hydroxide as a blue pigment is described. The pigment, named lime blue, has not yet been reported in the chemical…”
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    Journal Article
  6. 6

    The relationship between Albrecht Dürer's palette and fifteenth/sixteenth-century pharmacy price lists: the use of azurite and ultramarine by Burmester, Andreas, Krekel, Christoph

    Published in Studies in conservation (01-01-1998)
    “…The pigments used in 13 paintings by Albrecht Dürer have been identified: azurite, ultramarine, verdigris, lead-tin yellow, brown and, occasionally, yellow…”
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    Journal Article
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