Search Results - "Koozin, Timothy"

Conference Report: “Come Together: Fifty Years of Abbey Road ” by Koozin, Timothy

“…Mark Spicer discussed Abbey Road as proto-progressive rock, tracing musical practices established by the Beatles that would be integral to music by progressive…”
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Evolving Content and Design by Koozin, Timothy

“…(1) [4] As a newly emerging design platform, the Web promoted a conscious engagement with text, images, sounds, and framing containers that would shape…”
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Guitar Voicing in Pop-Rock Music: A Performance-Based Analytical Approach by Koozin, Timothy

“…This study integrates guitar tablature and harmonic transformational theory to map transformational paths of motion through fretboard locations on the guitar…”
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Traversing distances: Pitch organization, gesture and imagery in the late works of T l ru Takemitsu by Koozin, Timothy

“…This study focuses on pitch organization in several of T l ru Takemitsu's last works, showing how projection of octatonic and other referential set complexes…”
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Traversing distances: pitch organization, gesture and imagery in the late works of Toru Takemitsu by Koozin, Timothy

“…This study focuses on pitch organization in several of Toru Takemitsu's last works, showing how projection of octatonic and other referential set complexes in…”
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Traversing Distances: Pitch Organization, Gesture and Imagery in the Late Works of Toro Takemitsu by Koozin, Timothy

“…A study is presented that focuses on pitch organization in Toru Takemitsu's last works, showing how projection of octatonic and other referential set complexes…”
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On Metaphor, Technology, and Schenkerian Analysis by Koozin, Timothy

“…Multimedia renderings for the World-Wide Web are offered as models which extend the technology commonly employed in expressing Schenkerian analysis. The study…”
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Toru Takemitsu, "Between Tides for Violin, Cello, and Piano; A Bird Came Down the Walk for Viola accompanied by Piano; Air for Flute" by Koozin, Timothy

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Sen V for accordion by Koozin, Timothy

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Toshio Hosokawa, "Sen I for flute, Sen V for accordion, Vertical Time Study I for clarinet, violoncello and piano" by Koozin, Timothy

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Vertical Time Study I for clarinet, violoncello and piano by Koozin, Timothy

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Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu by Koozin, Timothy

“…The Japanese composer Toru Takemitsu has stated that he was so moved by Olivier Messiaen's Quartet for the End of Time that he asked Messiaen for permission to…”
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Toru Takemitsu, "I Hear the Water Dreaming for flute and orchestra" by Koozin, Timothy

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Toshi Ichiyanagi, 'Piano Conerto No. 2 "Winter Portrait"' by Koozin, Timothy

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Octatonicism in Recent Solo Piano Works of Tōru Takemitsu by Koozin, Timothy

“…Toru Takemitsu, the preeminent Japanese composer, creates powerful and original music out of a contemporary Western musical syntaxt rooted in a Japanese…”
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Sen I for Flute (1984) by Koozin, Timothy

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Toru Takemitsu and the Unity of Opposites by Koozin, Timothy

“…Composer Toru Takemitsu's music blends Western and Eastern idioms through a subtle balance of opposing features. Both a modern (i.e., Western) and Japanese…”
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Music Reviews: Toru Takemitsu: "Between Tides" for Violin, Cello, and Piano; "A Bird Came Down the Walk" for Viola Accompanied by Piano; "Air" for Flute by Koozin, Timothy

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Between Tides for Violin, Cello, and Piano / A Bird Came Down the Walk for Viola Accompanied by Piano / Air for Flute by Koozin, Timothy

“…Koozin reviews "Between Tides for Violin, Cello, and Piano," "A Bird Came Down the Walk for Viola Accompanied by Piano" and "Air for Flute" all by Toru…”
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Air for Flute by Koozin, Timothy

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