Search Results - "International review of the aesthetics and sociology of music"

Les anciens ont-ils noté musicalement la déclamation ? Enjeux esthétiques et anthropologiques d’un problème des Lumières by Côté, Thierry

“…La thèse formulée en 1719 par Dubos selon laquelle les anciens possédaient un système de notation musicale de la déclamation soulève des enjeux poétiques et…”
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Von Tanzkarten und Damenspenden: Rituale des Ball-Walzers by Wulff, Hans J.

“…Tanzkarten ordneten die Reihenfolge, in der die männlichen Tänzer ihre Tanzpartnerinnen auffordern konnten. Sie wurden oft lange vor dem Ball, manchmal auch…”
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Hände und Stimme. Zum Verhältnis von instrumentaler und vokaler Musik by Heister, Hanns-Werner

“…Musik erscheint uns zunächst als etwas Einheitliches. Sie ist aber etwas Zusammengesetztes. Ausgehend von der Dualität Hände/Körper versus Stimme werden hier…”
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Wie funktionieren, kommunizieren und interagieren Spezialisten-Teams? Drei Fallstudien zur Hochleistung by Gartmann, Thomas, Pfleger, Tobias, Gurtner, Andrea

“…Wie gelangen Spezialisten-Teams zu Höchstleistungen? Wie funktionieren, kommunizieren und interagieren solche Teams in der Musik? Diesen Fragen gehen die…”
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Spiel und Musik. Eine systematische Skizze by Heister, Hanns-Werner

“…Ausgehend vom Spiel, werden Gleichheiten, Ähnlichkeiten, Unterschiede und Gegensätze zur Kunst bzw. Musik herausgearbeitet. Spiel und Kunst müssen von der…”
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Dora Pejačević und Rainer Maria Rilke by Kos, Koraljka

“…Als Quellennachweise zur Schilderung der Kontakte zwischen der Komponistin Dora Pejačević (1885-1923) und dem Dichter Rainer Maria Rilke (1875-1926) dienen die…”
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Erratum: Technoide Zeitparasiten: Die Überlistung der beschleunigten Welt

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Semiotic Perspectives on the Ring’s Motivic Idiom and the Bases of Wagnerian Verfremdung by Moukarzel, Richard

“…Is Wagnerian ‘Total Art’ truly the coercive and hypnotic experience denounced by a now canonical Nietzschean or Adornian criticism? The complex mechanisms of…”
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To What Extent Did the Music of the 1960s Counterculture Influence the Frame Alignment of Second-Wave Environmentalist Organisations? by Moser, Daniel

“…This paper investigates the extent to which the music of the 1960s counterculture, as opposed to the mainstream popular music of that era, impacted early…”
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Georg Lukács’ Contribution to the Theory of Musical Mimesis by Ntouvos, Panos

“…This article attempts to identify Georg Lukács’ particular contribution to the problem of musical mimesis, as presented in his work The Specificity of the…”
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Récits exotiques représentant le Monténégro dans les opéras français du xixe siècle Les Monténégrins et La Montagne Noire by Bogojević, Dragan, Martinović-Bogojević, Jelena

“…Dans le corpus des œuvres d’opéra des compositeurs français du XIXe siècle, marqués par l’influence de l’exotisme, figurent deux opéras inspirés du Monténégro:…”
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Is AI Music Beautiful? A Study of the AI Composition Model EVOM by Oh, Hee Sook

“…In the twenty-first century, the emergence of Artificial Intelligence (AI) composers has become a notable phenomenon. What kind of music does AI produce and…”
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Towards a Theory of Musical Content: The Role of the Threefold Composer-Performer-Teacher Complex by Sapsovych, Oleksandra, Filatova, Olha, Burkatskyi, Zinovii, Volkova, Galyna, Kadantseva, Nataliia

“…The study of the process of development of musical culture is one of the urgent tasks of art studies. The purpose of this study is to offer theoretical…”
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Cultural Intelligence, Intercultural Efficacy and Age as Predictors of Students’ Musical Preferences – the Role of Intercultural Music Education by Dobrota, Snježana

“…This research aims to examine whether the level of intercultural efficacy, cultural intelligence and range of musical preferences in students varies depending…”
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Theodor W. Adornos Beethoven-Deutung by Federhofer, Hellmut

“…Adorno bemüht sich um den Nachweis, dass Beethovens thematische Arbeit dasselbe im ästhetisch erfahrbaren Medium leistet, wie die Philosophie Hegels, dessen…”
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Toward a Theory of Musical Content: The Role of the Threefold Composer – Performer – Teacher Complex by Sapsovych, Oleksandra, Filatova, Olha, Burkatskyi, Zinovii, Volkova, Galyna, Kadantseva, Nataliia

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I Do Not Like That Noise: the Case of İstiklal Street in Turkey by Aydoğan, Cemre

“…Based on field research, this article aims to highlight to what extent the dwellers of İstiklal street (İstiklal Caddesi), the most popular and cosmopolitan…”
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Past, Present and Future Jazz: Scholarship, Historiography, Education and Performance by Pinheiro, Ricardo Nuno Futre

“…In this article I discuss jazz historiography from a critical perspective, namely: the troubled acceptance of its practices and discourses within American…”
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Music and Politics in Kosovo: Three Lives of the City Symphony Orchestra in Prishtina, 1950-2020 by Perkola, Kristina

“…This study, rooted in historical musicology, adopts a descriptive-narrative approach to shed light on the general history of the Prishtina Symphony Orchestra…”
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Poco pesante. About Notation and Articulation by Dahl, Per

“…Poco pesante in the title is a type of notation that exemplifies the need for interpretive elements that the musician must obtain from outside the…”
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