Search Results - "International Review of the Aesthetics and Sociology of Music"
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Les anciens ont-ils noté musicalement la déclamation ? Enjeux esthétiques et anthropologiques d’un problème des Lumières
Published in International review of the aesthetics and sociology of music (01-12-2020)“…La thèse formulée en 1719 par Dubos selon laquelle les anciens possédaient un système de notation musicale de la déclamation soulève des enjeux poétiques et…”
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Von Tanzkarten und Damenspenden: Rituale des Ball-Walzers
Published in International review of the aesthetics and sociology of music (01-06-2020)“…Tanzkarten ordneten die Reihenfolge, in der die männlichen Tänzer ihre Tanzpartnerinnen auffordern konnten. Sie wurden oft lange vor dem Ball, manchmal auch…”
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Hände und Stimme. Zum Verhältnis von instrumentaler und vokaler Musik
Published in International review of the aesthetics and sociology of music (01-06-2019)“…Musik erscheint uns zunächst als etwas Einheitliches. Sie ist aber etwas Zusammengesetztes. Ausgehend von der Dualität Hände/Körper versus Stimme werden hier…”
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Wie funktionieren, kommunizieren und interagieren Spezialisten-Teams? Drei Fallstudien zur Hochleistung
Published in International review of the aesthetics and sociology of music (01-06-2019)“…Wie gelangen Spezialisten-Teams zu Höchstleistungen? Wie funktionieren, kommunizieren und interagieren solche Teams in der Musik? Diesen Fragen gehen die…”
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Spiel und Musik. Eine systematische Skizze
Published in International review of the aesthetics and sociology of music (01-12-2016)“…Ausgehend vom Spiel, werden Gleichheiten, Ähnlichkeiten, Unterschiede und Gegensätze zur Kunst bzw. Musik herausgearbeitet. Spiel und Kunst müssen von der…”
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Dora Pejačević und Rainer Maria Rilke
Published in International review of the aesthetics and sociology of music (01-06-2012)“…Als Quellennachweise zur Schilderung der Kontakte zwischen der Komponistin Dora Pejačević (1885-1923) und dem Dichter Rainer Maria Rilke (1875-1926) dienen die…”
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Erratum: Technoide Zeitparasiten: Die Überlistung der beschleunigten Welt
Published in International review of the aesthetics and sociology of music (01-12-2009)Get full text
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Récits exotiques représentant le Monténégro dans les opéras français du xixe siècle Les Monténégrins et La Montagne Noire
Published in International review of the aesthetics and sociology of music (01-06-2024)“…Dans le corpus des œuvres d’opéra des compositeurs français du XIXe siècle, marqués par l’influence de l’exotisme, figurent deux opéras inspirés du Monténégro:…”
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Georg Lukács’ Contribution to the Theory of Musical Mimesis
Published in International review of the aesthetics and sociology of music (01-06-2024)“…This article attempts to identify Georg Lukács’ particular contribution to the problem of musical mimesis, as presented in his work The Specificity of the…”
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Towards a Theory of Musical Content: The Role of the Threefold Composer-Performer-Teacher Complex
Published in International review of the aesthetics and sociology of music (01-06-2024)“…The study of the process of development of musical culture is one of the urgent tasks of art studies. The purpose of this study is to offer theoretical…”
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Cultural Intelligence, Intercultural Efficacy and Age as Predictors of Students’ Musical Preferences – the Role of Intercultural Music Education
Published in International review of the aesthetics and sociology of music (01-06-2024)“…This research aims to examine whether the level of intercultural efficacy, cultural intelligence and range of musical preferences in students varies depending…”
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Semiotic Perspectives on the Ring’s Motivic Idiom and the Bases of Wagnerian Verfremdung
Published in International review of the aesthetics and sociology of music (01-06-2024)“…Is Wagnerian ‘Total Art’ truly the coercive and hypnotic experience denounced by a now canonical Nietzschean or Adornian criticism? The complex mechanisms of…”
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To What Extent Did the Music of the 1960s Counterculture Influence the Frame Alignment of Second-Wave Environmentalist Organisations?
Published in International review of the aesthetics and sociology of music (01-06-2024)“…This paper investigates the extent to which the music of the 1960s counterculture, as opposed to the mainstream popular music of that era, impacted early…”
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Is AI Music Beautiful? A Study of the AI Composition Model EVOM
Published in International review of the aesthetics and sociology of music (01-06-2024)“…In the twenty-first century, the emergence of Artificial Intelligence (AI) composers has become a notable phenomenon. What kind of music does AI produce and…”
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Theodor W. Adornos Beethoven-Deutung
Published in International review of the aesthetics and sociology of music (01-12-2004)“…Adorno bemüht sich um den Nachweis, dass Beethovens thematische Arbeit dasselbe im ästhetisch erfahrbaren Medium leistet, wie die Philosophie Hegels, dessen…”
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Intermedial References to Music in Literature and to Literature in Music in Selected Sonnets
Published in International review of the aesthetics and sociology of music (01-12-2023)“…The sonnets selected for discussion in the article (both literary and musical) create a particular kind of intermedial score that emerges as a result of…”
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I Do Not Like That Noise: the Case of İstiklal Street in Turkey
Published in International review of the aesthetics and sociology of music (01-12-2023)“…Based on field research, this article aims to highlight to what extent the dwellers of İstiklal street (İstiklal Caddesi), the most popular and cosmopolitan…”
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Music and Politics in Kosovo: Three Lives of the City Symphony Orchestra in Prishtina, 1950-2020
Published in International review of the aesthetics and sociology of music (01-12-2023)“…This study, rooted in historical musicology, adopts a descriptive-narrative approach to shed light on the general history of the Prishtina Symphony Orchestra…”
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Past, Present and Future Jazz: Scholarship, Historiography, Education and Performance
Published in International review of the aesthetics and sociology of music (01-12-2023)“…In this article I discuss jazz historiography from a critical perspective, namely: the troubled acceptance of its practices and discourses within American…”
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