Search Results - "Holzapfel, Andre"

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  1. 1

    Selective Sampling for Beat Tracking Evaluation by Holzapfel, A., Davies, M. E. P., Zapata, J. R., Oliveira, J. L., Gouyon, F.

    “…In this paper, we propose a method that can identify challenging music samples for beat tracking without ground truth. Our method, motivated by the machine…”
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  2. 2

    Inferring Metrical Structure in Music Using Particle Filters by Krebs, Florian, Holzapfel, Andre, Cemgil, Ali Taylan, Widmer, Gerhard

    “…In this paper, we propose a new state-of-the-art particle filter (PF) system to infer the metrical structure of musical audio signals. The new inference method…”
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    Beyond Diverse Datasets: Responsible MIR, Interdisciplinarity, and the Fractured Worlds of Music by Huang, Rujing Stacy, Holzapfel, Andre, Sturm, Bob L. T., Kaila, Anna-Kaisa

    “…Musical worlds, not unlike our lived realities, are fundamentally fragmented and diverse, a fact often seen as a challenge or even a threat to the validity of…”
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  5. 5

    Rhythmic Prototypes Across Cultures by Polak, Rainer, Jacoby, Nori, Fischinger, Timo, Goldberg, Daniel, Holzapfel, Andre, London, Justin

    Published in Music perception (01-09-2018)
    “…It has long been assumed that rhythm cognition builds on perceptual categories tied to prototypes defined by small-integer ratios, such as 1:1 and 2:1. This…”
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    Relations Between Perceived Affect and Liking for Melodies and Visual Designs by Clemente, Ana, Friberg, Anders, Holzapfel, André

    Published in Emotion (Washington, D.C.) (01-09-2023)
    “…Sensory valuation is a fundamental aspect of cognition. It involves assigning hedonic value to a stimulus based on its sensory information considering personal…”
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  8. 8

    Automatic transcription of Turkish microtonal music by Benetos, Emmanouil, Holzapfel, André

    “…Automatic music transcription, a central topic in music signal analysis, is typically limited to equal-tempered music and evaluated on a quartertone tolerance…”
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  9. 9

    Relation Between Surface Rhythm and Rhythmic Modes in Turkish Makam Music by Holzapfel, André

    Published in Journal of new music research (02-01-2015)
    “…Sounds in a piece of music form rhythmic patterns on the surface of a music signal, and in a metered piece these patterns stand in some relation to the…”
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  10. 10

    Musical Genre Classification Using Nonnegative Matrix Factorization-Based Features by Holzapfel, AndrÉ, Stylianou, Yannis

    “…Nonnegative matrix factorization (NMF) is used to derive a novel description for the timbre of musical sounds. Using NMF, a spectrogram is factorized providing…”
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    Scale Transform in Rhythmic Similarity of Music by Holzapfel, André, Stylianou, Yannis

    “…As a special case of the Mellin transform, the scale transform has been applied in various signal processing areas, in order to get a signal description that…”
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  12. 12

    Computational Analysis of Turkish Makam Music: Review of State-of-the-Art and Challenges by Bozkurt, Barış, Ayangil, Ruhi, Holzapfel, André

    Published in Journal of new music research (02-01-2014)
    “…This text targets a review of the computational analysis literature for Turkish makam music, discussing in detail the challenges involved and presenting a…”
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  13. 13

    In Search of Automatic Rhythm Analysis Methods for Turkish and Indian Art Music by Srinivasamurthy, Ajay, Holzapfel, André, Serra, Xavier

    Published in Journal of new music research (02-01-2014)
    “…The aim of this paper is to identify and discuss various methods in computational rhythm description of Carnatic and Hindustani music of India, and Makam music…”
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  14. 14

    Three Dimensions of Pitched Instrument Onset Detection by Holzapfel, A, Stylianou, Y, Gedik, A C, Bozkurt, B

    “…In this paper, we suggest a novel group delay based method for the onset detection of pitched instruments. It is proposed to approach the problem of onset…”
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    Ethical Dimensions of Music Information Retrieval Technology by Holzapfel, Andre, Sturm, Bob L., Coeckelbergh, Mark

    “…This article examines ethical dimensions of Music Information Retrieval (MIR) technology.  It uses practical ethics (especially computer ethics and engineering…”
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  16. 16

    Rhythmic Prototypes Across Cultures: A Comparative Study of Tapping Synchronization by Polak, Rainer, Jacoby, Nori, Fischinger, Timo, Goldberg, Daniel, Holzapfel, Andre, London, Justin

    Published in Music perception (01-09-2018)
    “…It has long been assumed that rhythm cognition builds on perceptual categories tied to prototypes defined by small-integer ratios, such as 1:1 and 2:1. This…”
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    Journal Article
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    RAMCESS 2.X framework—expressive voice analysis for realtime and accurate synthesis of singing by d‘Alessandro, Nicolas, Babacan, Onur, Bozkurt, Baris, Dubuisson, Thomas, Holzapfel, Andre, Kessous, Loic, Moinet, Alexis, Vlieghe, Maxime

    Published in Journal on multimodal user interfaces (01-09-2008)
    “…In this paper we present the work that has been achieved in the context of the second version of the Ramcess singing synthesis framework. The main improvement…”
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  18. 18

    Evaluation and Recommendation of Pulse and Tempo Annotation in Ethnic Music by Cornelis, Olmo, Six, Joren, Holzapfel, Andre, Leman, Marc

    Published in Journal of new music research (01-06-2013)
    “…Large digital archives of ethnic music require automatic tools to provide musical content descriptions. While various automatic approaches are available, they…”
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    The melodic beat: exploring asymmetry in polska performance by Misgeld, Olof, Holzapfel, Andre, Kallioinen, Petter, Ahlbäck, Sven

    “…Some triple-beat forms in Scandinavian Folk Music are characterized by non-isochronous beat durations: asymmetric beats. Theorists of folk music have suggested…”
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  20. 20

    Linking Scores and Audio Recordings in Makam Music of Turkey by Şentürk, Sertan, Holzapfel, André, Serra, Xavier

    Published in Journal of new music research (02-01-2014)
    “…The most relevant representations of music are notations and audio recordings, each of which emphasizes a particular perspective and promotes different…”
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