Search Results - "Gutleben, Christian"

Renaissances, Resurrections and Rewritings: A Neo-Victorian Poetics of Exhumation by Gutleben, Christian

“…In both Graham Swift’s Ever After (1992) and A. S. Byatt’s Possession (1990) the contemporary protagonists find new life in the unearthing of Victorian…”
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Glorious Bastards: The Praise of Impurity in E.M. Forster’s Howards End by Gutleben, Christian

“…E.M. Forster’s Howards End is constructed so as to highlight a coda in which the future of the quintessentially English estate seems to rely on Helen Schlegel…”
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A Cracked Construction: Postmodernist Fragmentation and Fusion in McEwan’s Atonement by Gutleben, Christian

“…Just as the ground beneath Briony’s feet is distinguished by ‘floorboard cracks’ (11), just as the Tallis’s Meissen porcelain vase displays ‘three fine…”
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‘Urban Palimpsests’: When novelistic and architectural languages merge in Penelope Lively’s City of the Mind by Gutleben, Christian

“…The concept of ‘urban palimpsests’ is used by Andreas Huyssen to convey ‘the conviction that literary techniques of reading historically, intertextually,…”
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Bleak Humour: Jonathan Coe’s Politeness of Despair in The Rotters’ Club by Gutleben, Christian

“…What appears striking about Jonathan Coe’s humour in The Rotters’ Club (2001) is how different or separate it is from postmodernism’s textual or ontological…”
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Serious Play: The Representation of the Thatcher Years in Malcolm Bradbury’s Cuts, David Lodge’s Nice Work and Alan Hollinghusrt’s The Line of Beauty by Gutleben, Christian

“…Margaret Thatcher appears as a central character in Hollinghurst’s The Line of Beauty (2004), she is also explicitly discussed in Lodge’s Nice Work (1988) and…”
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Entre métonymie, métaphore et métatextualité : le trope surdéterminé de la route dans The Famished Road de Ben Okri by Gutleben, Christian

“…The road is metonymic is two ways, first because it represents the people who walk on it and second because this unique path, this scrap of a thoroughfare is…”
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Entre vanité et art poétique : l’esthétique du rien chez Graham Swift by Gutleben, Christian

“…As a metaphor of the disintegration into nothingness, the ashes in Last Orders bespeak the mere nothing of life (« it aint nothing at all ») and appear in…”
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Neo-Victorian Families: Gender, Sexual and Cultural Politics by Kohlke, Marie-Luise, Gutleben, Christian

“…Tracing representations of re-imagined Victorian families in literature, film and television, and social discourse, this collection, the second volume in…”
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Palindromes and Palimpsests: Strategies of Deliberate Self-contradiction in Postmodern British Fiction by Christian Gutleben

“…This paper sets out to argue that contemporary British fiction, by using palinodes, palindromes and palimpsests both on the micro- and macro-structural levels,…”
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London in Literature: Visionary Mappings of the Metropolis, by Susana Onega and John A. Stotesbury (eds.) (Heidelberg: Universitätsverlag C. Winter, 2002) by Christian Gutleben

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Laurent Mellet, Jonathan Coe : Les politiques de l’intime: Paris : Presses de l’Université Paris-Sorbonne, 2015 (318 pages). ISBN : 978-2-84050-978-3 by Gutleben, Christian

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Laurent Mellet, Jonathan Coe : Les politiques de l’intime by Christian Gutleben

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Serious Play: The Representation of the Thatcher Years in Malcolm Bradbury’s Cuts, David Lodge’s by Gutleben, Christian

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Renaissances by Bahroun, Adel, Bernard, Catherine, Brault-Dreux, Elise, Buchowska, Dominika, Ganteau, Jean-Michel, Girardin, Cécile, Guignery, Vanessa, Gutleben, Christian, Hélie, Claire, Ibata, Hélène, Lecomte, Héloïse, Louati, Lilia, Mellet, Laurent, Parey, Armelle, Saby, Aurélien

“…Ce numéro d’Études britanniques contemporaines est issu des travaux de l’atelier SEAC-La Nouvelle du congrès de la Société des Anglicistes de l’Enseignement…”
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Entre métonymie, métaphore et métatextualité : le trope surdéterminé de la route dans The Famished Road de Ben Okri by Gutleben, Christian

“…Métonymique, la route l’est doublement puisque, d’une part, elle représente les gens qui la foulent et que, d’autre part, cette route unique, ce morceau de…”
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Entre vanité et art poétique : l’esthétique du rien chez Graham Swift by Gutleben, Christian

“…Les cendres du défunt, métaphore de la réduction au néant dans Last Orders, disent le rien de la vie (« it aint nothing at all ») et apparaissent dans de…”
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“Literature’s exception(s)”, E.M. Forster, V. Woolf by Allègre, Marie, Baillon, Jean-François, Bénard, Julie, Bernard, Catherine, Boileau, Nicolas Pierre, Boileau, Nicolas Pierre, Borrego, Alice, Davies, Mark, Davison, Claire, Favre, Valérie, Gelly, Christophe, Gonneaud, Justine, Gutleben, Christian, Laniel, Marie, Lanone, Catherine, Lecomte, Héloïse, Marie, Florence, Maurel, Sylvie, Mellet, Laurent, Parey, Armelle, Roblin, Isabelle, Thacker, Andrew, Tredy, Dennis, Walezak, Emilie

“…Ce numéro d’Études britanniques contemporaines est issu des travaux de l’atelier SEAC-La Nouvelle du congrès de la Société des Anglicistes de l’Enseignement…”
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Landscapes/Cityscapes Situational Identity in British Literature and Visual Arts (20th-21st Centuries) by Arniac, Adeline, Beaufils, Cécile, Belluc, Sylvain, Bernard, Catherine, Boileau, Nicolas Pierre, Cassigneul, Adèle, Cavalié, Elsa, Delyfer, Catherine, Fortin-Tournès, Anne-Laure, Ganteau, Jean-Michel, Gelly, Christophe, Gonneaud, Justine, Guignery, Vanessa, Gutleben, Christian, Hélie, Claire, Hoffmann, Catherine, Laniel, Marie, Leblond, Diane, Letissier, Georges, Marie, Florence, Mellet, Laurent, Moraru, Christian, Omhovère, Claire, Pesso-Miquel, Catherine, Reviron-Piégay, Floriane, Sardin, Pascale, Thornton, Sara, Tollance, Pascale, Walezak, Emilie, Welshman, Rebecca

“…Ce numéro d’Études britanniques contemporaines est issu des travaux du colloque de la SEAC et de la SAIT ‘Landscape/Cityscape Situational Identity in British…”
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Confluences by Arniac, Adeline, Bernard, Catherine, Bertrand, Mathilde, Bray, Suzanne, Davies, Mark, Delnieppe, Fanny, Fortin-Tournès, Anne-Laure, Gagneret, Diane, Gutleben, Christian, Marie, Florence, Mounic, Anne, Parey, Armelle, Regard, Frédéric, Roblin, Isabelle, Walezak, Emilie

“…This issue of Études britanniques contemporaines offers a selection of papers given in the Nouvelle-SEAC (Société d’Études Anglaises Contemporaines) organised…”
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