Search Results - "Dutta, Minakshi"

A Reading of Bhabendra Nath Saikia's Films from Feminist Lens by Dutta, Minakshi

“…Feminist movement deconstructs the constructed images of women on the screen as well. The gap between real and reel woman is a vibrant topic of discussion for…”
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Screening the Urban: An Analysis of the Urban Life and Subjectivities in the Assamese Films of Bhabendra Nath Saikia and Jahnu Barua by Dutta, Minakshi

“…Amidst the clichéd representations of the urban world in Indian cinema in post-independence times, where ‘the urban’ is often perceived as the inevitable vice,…”
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The India-Russia Annual Summit resumes, with an eye on China? by Dutta, Minakshi, Hazarika, Obja Borah

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Improved nutritional and functional properties of plant protein isolate blends through steam infusion: A study on chickpea, brown rice and defatted peanut protein blends by Durga Lakshmi, Y., Dinesh Kumar, R., Dutta, Minakshi, Nagesh, C.R., Bansal, Navitha, Goswami, Suneha, Kumar, Ranjeet Ranjan, Kundu, Aditi, Rudra, Shalini Gaur, Basavaraj, Y.B., Gautam, Chawla, Rama Prashat, G., Vinutha, T.

“…This study examined the impact of steam-infusion on defatted peanut (Pn), chickpea (Cp), and rice (R) protein isolates (PI) and their blends. Steam infusion…”
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Exploring protein structural adaptations and polyphenol interactions: Influences on digestibility in pigeon pea dal and whole grains under heat and germination conditions by Dutta, Minakshi, Dineshkumar, R., Nagesh, C.R., Durga Lakshmi, Y., Lekhak, Brijesh, Bansal, Navita, Goswami, Suneha, Kumar, Ranjeet Ranjan, Kundu, Aditi, Mandal, Pranab Kumar, Arora, Bindvi, Raje, Ranjeet Sharad, Mandal, Somnath, Yadav, Achchhelal, Tyagi, Aruna, Ramesh, S.V., Rama Prashat, G., Vinutha, T.

“…Pigeon pea, a protein-rich legume with low protein digestibility (PD) due to its high polyphenol content and other antinutritional factors (ANFs)…”
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The Assamese Films of Bhabendra Nath Saikia: Another Parallel Stream of Indian Cinema by Dutta, Parasmoni, Dutta, Minakshi

“…Assamese cinema, though not a very visible category in most of the works of film historians and critics, started with a note of nationalistic sentiment in the…”
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