Search Results - "Duguay, Michèle"

Response to Trevor de Clercq’s “Some Proposed Enhancements to the Operationalization of Prominence: Commentary on Michèle Duguay’s ‘Analyzing Vocal Placement in Recorded Virtual Space by Duguay, Michèle

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Analyzing Vocal Placement in Recorded Virtual Space by Duguay, Michèle

“…When listening to a piece of recorded music through headphones or stereo speakers, one hears various sound sources as though they were in a virtual space …”
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Physical Balance, Gravity, and Tension in Contemporary Piano Works by DUGUAY, MICHÈLE

“…This article posits that a pianist’s physical balance functions as a mode of structuring in some contemporary works. Drawing on Suzanne Cusick’s (1994) call…”
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Emmanuel Chabrier de Francis Poulenc by Duguay, Michèle

“…La correspondance de Francis Poulenc, ses entretiens avec Claude Rostand et tout particulièrement la biographie publiée en 1961, Emmanuel Chabrier, révèlent la…”
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Review of Malawey, Victoria, A Blaze of Light in Every Word: Analyzing the Popular Singing Voice (Oxford University Press, 2020) by Duguay, Michèle

“…What parameters of the voice—timbre, pitch, rhythm, lyrical content—should one analyze? [...]how can an analyst successfully account for each voice’s…”
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Gendering the Virtual Space: Sonic Femininities and Masculinities in Contemporary Top 40 Music by Duguay, Michèle

“…This dissertation analyzes vocal placement—the apparent location of a voice in the virtual space created by a recording—and its relationship to gender. When…”
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The Influence of Unequal Temperament on Chopin's Piano Works by Duguay, Michèle

“…Frédéric Chopin (1810–1849) composed in the first half of the 19th century, when pianos were tuned in unequal temperaments: different keys displayed subtly…”
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Collaborative Song Dataset (CoSoD): An annotated dataset of multi-artist collaborations in popular music by Duguay, Michèle, Mancey, Kate, Devaney, Johanna

“…The Collaborative Song Dataset (CoSoD) is a corpus of 331 multi-artist collaborations from the 2010-2019 Billboard "Hot 100" year-end charts. The corpus is…”
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Analytical Essays on Music by Women Composers: Concert Music, 1900–1960. Edited by Laurel Parsons and Brenda Ravenscroft by Duguay, Michèle

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