Search Results - "Dik, Joris"

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    Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping by Dik, Joris, Janssens, Koen, Van Der Snickt, Geert, van der Loeff, Luuk, Rickers, Karen, Cotte, Marine

    Published in Analytical chemistry (Washington) (15-08-2008)
    “…Vincent van Gogh (1853−1890), one of the founding fathers of modern painting, is best known for his vivid colors, his vibrant painting style, and his short but…”
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    Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques by Van der Snickt, Geert, Dik, Joris, Cotte, Marine, Janssens, Koen, Jaroszewicz, Jakub, De Nolf, Wout, Groenewegen, Jasper, Van der Loeff, Luuk

    Published in Analytical chemistry (Washington) (01-04-2009)
    “…On several paintings of James Ensor (1860−1949), a gradual fading of originally bright yellow areas, painted with the pigment cadmium yellow (CdS), is…”
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    Comparison of three 3D scanning techniques for paintings, as applied to Vermeer’s ‘Girl with a Pearl Earring by Elkhuizen, Willemijn S., Callewaert, Tom W. J., Leonhardt, Emilien, Vandivere, Abbie, Song, Yu, Pont, Sylvia C., Geraedts, Jo M. P., Dik, Joris

    Published in Heritage science (04-11-2019)
    “…A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers on a substrate. A viewer’s perception of a work of art can…”
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    Revealing unique inscriptions of a Nazi collaborator in Doodencel 601 of the Oranjehotel by Wempe, Joost, van den Brink, Rick, Mooldijk, Esmée, Feirabend, Nienke, Wiersma, Ruben, Sietsma, Jilt, Dik, Joris

    Published in Heritage science (01-12-2020)
    “…During the Second World War the German occupants of the Netherlands made ample use of the Scheveningen prison near The Hague, popularly nicknamed the…”
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    Fading into the background: the dark space surrounding Vermeer’s Girl with a Pearl Earring by Vandivere, Abbie, van Loon, Annelies, Callewaert, Tom, Haswell, Ralph, Proaño Gaibor, Art Ness, van Keulen, Henk, Leonhardt, Emilien, Dik, Joris

    Published in Heritage science (16-09-2019)
    “…The background of Vermeer’s Girl with a Pearl Earring (c. 1665, Mauritshuis) has, until recently, been interpreted as a flat dark space. The painting was…”
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    Artificial orpiment, a new pigment in Rembrandt’s palette by van Loon, Annelies, Noble, Petria, Krekeler, Anna, Van der Snickt, Geert, Janssens, Koen, Abe, Yoshinari, Nakai, Izumi, Dik, Joris

    Published in Heritage science (27-06-2017)
    “…This paper reports on how the application of macro X-ray fluorescence (MA-XRF) imaging, in combination with the re-examination of existing paint…”
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    Relics in medieval altarpieces? Combining X-ray tomographic, laminographic and phase-contrast imaging to visualize thin organic objects in paintings by Krug, Kris, Porra, Liisa, Coan, Paola, Wallert, Arie, Dik, Joris, Coerdt, Andrea, Bravin, Alberto, Elyyan, Muthaffar, Reischig, Péter, Helfen, Lukas, Baumbach, Tilo

    Published in Journal of synchrotron radiation (01-01-2008)
    “…X‐ray radiography is a common tool in the study of old master paintings. Transmission imaging can visualize hidden paint layers as well as the structure of the…”
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    Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward by Cotte, Marine, Susini, Jean, Dik, Joris, Janssens, Koen

    Published in Accounts of chemical research (15-06-2010)
    “…A variety of analytical techniques augmented by the use of synchrotron radiation (SR), such as X-ray fluorescence (SR-XRF) and X-ray diffraction (SR-XRD), are…”
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    Multi-scale optical coherence tomography imaging and visualization of Vermeer’s Girl with a Pearl Earring by Callewaert, Tom, Guo, Jerry, Harteveld, Guusje, Vandivere, Abbie, Eisemann, Elmar, Dik, Joris, Kalkman, Jeroen

    Published in Optics express (31-08-2020)
    “…We demonstrate multi-scale multi-parameter optical coherence tomography (OCT) imaging and visualization of Johannes Vermeer’s painting Girl with a Pearl…”
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    Macroscopic X‑ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization by Vanmeert, Frederik, De Nolf, Wout, De Meyer, Steven, Dik, Joris, Janssens, Koen

    Published in Analytical chemistry (Washington) (05-06-2018)
    “…In the past decade macroscopic X-ray fluorescence imaging (MA-XRF) has become established as a method for the noninvasive investigation of flat painted…”
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    Investigating the Photocatalytic Degradation of Oil Paint using ATR-IR and AFM-IR by Morsch, Suzanne, van Driel, Birgit A, van den Berg, Klaas Jan, Dik, Joris

    Published in ACS applied materials & interfaces (22-03-2017)
    “…As linseed oil has a longstanding and continuing history of use as a binder in artistic paints, developing an understanding of its degradation mechanism is…”
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    Macroscopic X‑ray Powder Diffraction Scanning: Possibilities for Quantitative and Depth-Selective Parchment Analysis by Vanmeert, Frederik, De Nolf, Wout, Dik, Joris, Janssens, Koen

    Published in Analytical chemistry (Washington) (05-06-2018)
    “…At or below the surface of painted works of art, valuable information is present that provides insights into an object’s past, such as the artist’s technique…”
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    Chemical Mapping by Macroscopic X‐ray Powder Diffraction (MA‐XRPD) of Van Gogh's Sunflowers: Identification of Areas with Higher Degradation Risk by Vanmeert, Frederik, Hendriks, Ella, Van der Snickt, Geert, Monico, Letizia, Dik, Joris, Janssens, Koen

    Published in Angewandte Chemie International Edition (18-06-2018)
    “…The discoloration rate of chrome yellow (CY), a class of synthetic inorganic pigments (PbCr1−xSxO4) frequently used by Van Gogh and his contemporaries,…”
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    Rembrandt’s An Old Man in Military Costume: the underlying image re-examined by Trentelman, Karen, Janssens, Koen, van der Snickt, Geert, Szafran, Yvonne, Woollett, Anne T., Dik, Joris

    “…The painting An Old Man in Military Costume in the J. Paul Getty Museum, by Rembrandt Harmensz van Rijn, was studied using two complementary, element-specific…”
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