Search Results - "Contemporary music review"

Becoming Women Composers in Contemporary Indonesia: Music and Collective in the Pandemic Era by Fisandra, Halida Bunga, Swaratyagita, Gema

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New Music Activity in Yogyakarta, Indonesia 2000–2020 (History and Network) by Setiawan, Erie

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Digging Through the Network of the Indonesian Noise Scene by Hermawan, Martinus Indra

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Voicing Papua: The Resonance of Rituals by Raseuki, Nyak Ina

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Tradition in Suspension: Timbre in Contemporary Gamelan Compositions by Nataraja, Dion

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Searching for the Unusual: New Methods of Composing for Gamelan by Sudirana, Wayan

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‘Newness’ Reconsidered: Reflections on New Music from Indonesia by Nataraja, Dionysius Arya, Setiawan, Erie, Cahyo, Septian Dwi

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Isolation Journal: Remote Interactions in the Time of the COVID-19 Pandemic by Östersjö, Stefan

“…This paper discusses the development of artistic collaboration during the global lockdown, related to the COVID-19 pandemic. The art work under study involves…”
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Music, Mediation Theories and Actor-Network Theory by Born, Georgina, Barry, Andrew

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Translating Silence: OCCAM X as a Radical Act of Catastrophe by Wooley, Nate

“…Using Anne Carson's concepts of 'cliché', 'catastrophe', 'silence', and 'translation' as a framework, I will trace the ways in which my collaboration with…”
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On the Liberation upon Hearing in the Intermediate State by Muñoz-Alonso, Lorena

“…'On the Liberation upon Hearing in the Intermediate State' is a highly subjective reconstruction of a concert that Éliane Radigue gave in June 2011, when her…”
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Beyond the Audible: Éliane Radigue's OCCAM works and Inter/Listening by Gray, Louise

“…This article focuses on Éliane Radigue's OCCAM compositions in terms of sound, space and relationships, arguing that a new type of listening is required to…”
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Listening to Éliane by Satz, Aura

“…Aura Satz describes the process of working on a series of works connected to Éliane Radigue's music and compositional relationships, including a transcript of…”
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Presence and Absence: Notes on Éliane Radigue's ARP 2500 Synthesiser Technique by Silliman, Daniel

“…This article explores various aspects of Éliane Radigue's approach to working with her ARP 2500 modular synthesiser, analysing sketches, recordings, and…”
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Points of Balance and the Infra-thin in Éliane Radigue's Endless Music by Hutton, Jo

“…This paper examines Éliane Radigue's 'musique sans fin' (endless music) of 1968-1970. The period marks her development of acoustic feedback techniques for…”
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Reflections on Performing Éliane Radigue's OCCAM I by Davies, Rhodri

“…In this paper, I will look at the collaborative aspects of the composition and the rehearsal process involved in making OCCAM I, and how the piece sits within…”
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Radiguian Explorations by Bonnet, François J.

“…In this text, I explore aspects of Éliane Radigue's electronic works. Based on long standing exchanges and collaboration with Radigue herself, and 20 years of…”
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Difficult Women: Joyce, Burns, and the Radical Passivity of Listening by Goyal, Shantam

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Towards an Anti-Ideal: Radigue, Recording, and the Paradoxes of Representation by Vine, Anthony, Greenstone, Madison, Curtis, Charles

“…The last two decades have seen two simultaneous shifts in Éliane Radigue's music. One, her music for magnetic tape has become widely available as commercially…”
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Inside the Éliane Radigue Composer-Performer Circle by Hope, Cat

“…As a composer-performer, Cat Hope has collaborated with Éliane Radigue in the creation of three new works: 2015's OCCAM HEXA II, co-composed with Carol…”
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