Search Results - "CLARK, CARYL"

Writing Joseph Bologne into Musical History vis-à-vis Mozart: The Symphonie Concertante from Paris to Salzburg by CLARK, CARYL

“…Abstract This article amplifies current understanding of the Afro-diasporic composer-violinist Joseph Bologne, Le Chevalier de Saint-George, by exploring his…”
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Representations of Jews in the Musical Theater of the Habsburg Empire (1788‐1807). By DAVID J.BUCH. Edited by EDWINSEROUSSI. Yuval Music Series 9. Jerusalem: Jewish Music Research Centre, The Hebrew University of Jerusalem. 2012. 138 p. [No price] (hb). ISBN 978‐965‐92000‐0‐9 by CLARK, CARYL

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Haydn's Judaizing of the Apothecary by Clark, Caryl

“…As the first Italian opera to grace the stage of the new opera house at Eszterháza, Lo speziale (1768) afforded Kapellmeister Haydn, and the singers and…”
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Haydn's Conversion Masses by Clark, Caryl

“…Among the "multiple audiences" for Haydn's Masses were nonbelievers and catechumens: that is, congregants in the process of converting to Catholicism. The clue…”
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Review: Empress Marie Therese and Music at the Viennese Court, 1792–1807 by John A. Rice; The Musician as Entrepreneur, 1700–1914: Managers, Charlatans, and Idealists, edited by William Weber by CLARK, CARYL

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Interrogating "King Arthur:" A contrapuntal prologue by Clark, Caryl, Corman, Brian

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Seizing the Menotti Moment: Opera meets McLuhan meets Millennials by Clark, Caryl, Hicks, Steven, Assaad, Kyra, David, Anna-Julia, Kasztenny, Adam, Kelly, Patrick, Martin, Duncan, McMurchy, Elliott, Wong, Kevin Matthew

“…This co-authored paper examines how theories about the effects of technology on society, developed by communications theorist Marshall McLuhan in the…”
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Die Opera Seria bei Joseph Haydn: Studien zu Form und Struktur Musikalischer Affektdramaturgie und Figurentypologisierung in 'Armida" und "L'anima del filosofo ossia Orfeo ed Euridice by Clark, Caryl

“…Mary Hunter analyzes the sonata form structure of Haydn's buffa and seria arias in her 1982 dissertation ("Haydn's Aria Forms: A Study of the Arias in the…”
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Fabricating magic: costuming Salieri's Armida by Salieri, Clark, Caryl

“…Long associated with Haydn's Armida is a set of seven watercolours currently housed in the Esterhazy collection of the Sze'che'nyi National Library in…”
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Forging Identity: Beethoven's "Ode" as European Anthem by Clark, Caryl

“…Clark briefly traces the origins and development of the European Union, outlines the path towards official ratification of Beethoven's "Ode to Joy" as "The…”
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Reading and Listening: Viennese Frauenzimmer Journals and the Sociocultural Context of Mozartean Opera Buffa by Clark, Caryl

“…The tone and subject matter of women's journals circulating in the Viennese sphere varied widely according to the social class of their readers. Consideration…”
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The National Court Theatre in Mozart's Vienna: Sources and Documents, 1783-1792 by Clark, Caryl L.

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A Note from the Guest Editors by Clark, Caryl, Hutcheon, Linda, Hutcheon, Michael

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New Directions for Haydn Research: Internationaler Joseph Haydn Kongress, Wien, 1982 . Eva Badura-Skoda by Clark, Caryl

“…Abstract only…”
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Seeing and Hearing Atom Egoyan’s Salome by Armatage, Kay, Clark, Caryl

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Representations of Jews in the Musical Theater of the Habsburg Empire (1788‐1807). By DAVID J. BUCH. Edited by EDWIN SEROUSSI . Yuval Music Series 9. Jerusalem: Jewish Music Research Centre, The Hebrew University of Jerusalem. 2012. 138 p. [No price] (hb). ISBN 978‐965‐92000‐0‐9 by CLARK, CARYL

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Representations of Jews in the Musical Theater of the Habsburg Empire (1788-1807) - By DAVID J. BUCH. Edited by EDWIN SEROUSSI by Clark, CARYL

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Book Review - Representations of Jews in the Musical Theater of the Habsburg Empire (1788-1807) by CLARK, CARYL

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Empress Marie Therese and Music at the Viennese Court, 1792–1807 by CLARK, CARYL

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Empress Marie Therese and Music at the Viennese Court, 1792-1807/The Musician as Entrepreneur, 1700-1914: Managers, Charlatans, and Idealists by Clark, Caryl

“…Jann Pasler's account of Countess Elisabeth Greffulhe and her negotiation of the boundaries of class, gender, and politics in Paris at the turn of the…”
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