The conflict between tradition and feminism in Oman (Case study: Al-Tawaf Haith Al-Jamar)
Over the past two centuries, the intellectual endeavors of women have introduced fresh insights into the realm of human knowledge and sparked numerous significant inquiries. Feminist criticism scrutinizes the position of women along two dimensions: the authorial persona (the depiction of women in li...
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| Published in: | زن در توسعه و سیاست Vol. 22; no. 2; pp. 293 - 317 |
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| Main Authors: | , , |
| Format: | Journal Article |
| Language: | Persian |
| Published: |
Center for women's and family Studies ,University of Tehran
01-06-2024
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| Subjects: | |
| Online Access: | Get full text |
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| Summary: | Over the past two centuries, the intellectual endeavors of women have introduced fresh insights into the realm of human knowledge and sparked numerous significant inquiries. Feminist criticism scrutinizes the position of women along two dimensions: the authorial persona (the depiction of women in literary works) and the constructed persona (the representation of women in the works of authors). The protagonist of al-Tawaf Hayat al-Jamar, which is regarded as the first female novel in Oman, is a victim of men in life (patriarchal system of prejudices and traditions). Through a deconstructive lens, this modernist novel attempts to call into question the dichotomy that exists between men and women. Consequently, the female protagonist perceives her status and sense of self as outcomes of the patriarchal social structures established by males and male authority. The present study employed the analytical descriptive method to examine the three axes of imitation, protest, and self-discovery as they pertain to the protagonist of the novel. The research findings indicate that the novel's feminist nature is primarily influenced by elements such as protest, self-expression, violence, the repression of feminine inclinations, and the breaking of taboos. However, it is worth noting that the novel also exhibits signs of self-awareness. However, through the author's decision to isolate the hero, he is prevented from reaching the critical juncture of self-exploration and developing a distinct identity, which is devoid of imitation and opposition. |
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| ISSN: | 2538-3124 2538-3132 |
| DOI: | 10.22059/jwdp.2024.366990.1008393 |